Blackwell issued a 2nd edition of The Great Arch in 1991, six years after the original publication, for which Philip Corrigan and I wrote a postscript discussing new work on English state formation published since 1985, and responding to various reviews of the book.  Both entailed some clarification and extension of its arguments. The 2nd edition had a very small print-run and soon went out of print, so this text is little known.

The excellent cover illustration is from Lyubov Popova’s set for The Earth in Turmoil (1923).  I have posted a downloadable scan of the postscript here for anyone interested.

GA 2d ed cover


There was also a Spanish translation of the Introduction and Afterthoughts sections of The Great Arch, in Antropología del Estado: Dominación y prácticas contestatarias en América Latina, ed. María L. Lagos and Pamela Calla, Cuaderno de Futuro Nº 23, La Paz (Bolivia): Hernando Calla, 2007, pp. 39-116.  A pdf can be downloaded free here.

Benjamin Tallis and Derek Sayer

Czech PM-designate Andrej Babis (left) with Austrian People’s Party leader Sebastian Kurz. Wikimedia commons. 


The Iron Curtain may have been drawn back in 1989-1991, but you wouldn’t know it to read much of the commentary on the Czech parliamentary elections – and much recent commentary on ‘Eastern Europe’ more generally.

Much attention has been lavished on comparing Czech politician Andrej Babiš to Viktor Orban, Jaroslaw Kaczynski, Donald Trump and, more plausibly, to Silvio Berlusconi, but this has obscured deeper problems in western analyses of the region. Many of the sins laid at the door of central and eastern Europeans are no less prevalent in western countries, but this is too often lost amidst enduring Cold War stereotypes.

In a recent Op-Ed typical of this trend, Jochen Bittner charged that across the Visegrad Group (Poland, Hungary, the Czech Republic, and Slovakia), “leading politicians agitate against the European Union, portraying it as an imposing, undemocratic force.”

This is true. But populist politicians across western Europe portray the EU in exactly the same way. Marine Le Pen in France and Geert Wilders in the Netherlands both promised their electorate referendums on EU membership in hopes of emulating Brexit, whose champion was the anti-establishment politician and Donald Trump ally Nigel Farage …


Read full article in Open Democracy.


Brexit is a portmanteau
word borrowed without asking
from the Greek for clusterfuck
like the Elgin Marbles

Brexit is my half-cut father
propping up the public bar
nothing against our colored cousins
so long as they stay where they are

Brexit is not hearing foreign languages on the High Street
Brexit is not hearing foreign languages on the bus
Brexit is not hearing foreign languages

again for ever and ever amen

Brexit is Morrissey
kissing Nigel Farage’s magnificent ass
Brexit is Johnny Rotten remembering he is
white working class

Brexit is the future fucked over
by a red white and blue

but mostly white

dream of the past

Keep Calm and
Carry On Up The Khyber



This is an Op-Ed piece I wrote for CEE New Perspectives, the companion blog of the academic journal New Perspectives which is published by the Institute of International Relations (IIR) in Prague.  I reproduce it here with permission.



The Saskatchewan Star-Phoenix reports that the University of Saskatchewan has hastily reversed parts of its decision to fire Director of the School of Public Health Dr Robert Buckingham for publicly criticizing the administration and given him his tenure (though not his Deanship) back.  This is welcome news.

Serious questions remain.

University of Saskatchewan president Irene Busch-Vishniac has issued a statement complaining that the U of S received “inaccurate and undeserved” criticism from across Canada after Buckingham’s firing.

“The debate that is raging,” she says, “confuses Dr. Buckingham’s former role as executive director of the School of Public Health with the academic freedom associated with of a tenured faculty member. In his role as an administrator at a level that removes him from the faculty association, Dr. Buckingham is not only permitted but encouraged to have opinions that might disagree with those developed by top administrators.  However, once a decision is made at the institutional level, all senior leaders must publicly conform to that decision or resign their leadership role.”

No, Dr Busch-Vishniac, it was you and your cronies who “confused” Professor Buckingham’s roles by depriving him of tenure as a punishment for stepping out of line as an administrator.  And the whole world knows it.  Thanks to social media.

Perhaps you and others in universities tempted to use disciplinary procedures to close down free and open debate over issues of public concern might think twice next time.



Update, May 15.  The whistleblowing document “Silence of the Deans” that got Dr Buckingham fired can be found here.  Fuller background, including CAUT reaction, can be found here.

This is a deplorable, almost unbelievable instance of hubris on the part of university management that deserves worldwide publicity and worldwide condemnation. I am reblogging here an article by colleagues at the University of Alberta, where I am a Professor Emeritus.  I am also concerned as a Fellow of the Royal Society of Canada, whose duty as the country’s national academy is to do the utmost to protect academic freedom–including the freedom of deans, heads of department, and others occupying administrative positions to speak their minds on matters of legitimate public concern even when (and perhaps especially when) doing so may bring them into conflict with their own university management.  Academic leadership requires academic integrity and the exercise of judgment, not blind obedience to authority on the model of Leninist party discipline.  What is of concern here is not simply Professor Buckingham’s firing, but the attempted “gag” orders on deans discussing the university’s plans with colleagues, students or the public–that is to say, the main “stakeholders” involved–that he courageously defied.  I would urge other FRSCs to condemn the University of Saskatchewan’s action in the strongest possible terms.  Unfortunately I do not believe such administrative high-handedness or threats to academic freedom are confined to Canada or the University of Saskatchewan. Please publicize as widely as possible.

Arts Squared

When I first saw the letter below circulating on Twitter as of mid-day, seemingly issued on the letterhead of the office of the Provost and VP Academic at the University of Saskatchewan and signed by the current occupant of those positions, Brett Fairbairn, I paused for a moment to question whether it was real. Could any Provost or VP Academic in Canada truly believe that s/he can charge a colleague with “egregious conduct and insubordination” for his or her expression of concern about decisions being taken by administrators at his or her institution, and issue the kind of summary judgment to which this letter speaks?

USask Provost Letter to Dr. Buckingham 14May14The presumption of this letter and the decision taken by the University of Saskatchewan’s Provost and VP Academic is that members of the administration of a public university in Canada are not members of a collegium responsible to the public, but rather members of a secretive corporate elite that is free to require…

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I have known Clay Ellis for years.  Clay and his wife Michelle are what I miss most about living in Alberta.  Their hospitality, their generosity, their grace.  His work, somewhere in a zone of his own between painting, sculpture, and video, abstract and concrete, conceptual and figurative art, conjures up a sense of time and a spirit of place like little else I know.  We have had many drunken conversations about Picasso, country music and the meaning of it all over the years, and I look forward to many more.  He is one of Canada’s greatest living artists.  These are some shots from his most recent exhibition at the stunning new Art Gallery of Grande Prairie.  

The text is from the gallery website.  The photographs were taken by Rob Ganzeveld.


Clay Ellis: Weaners, Culls and Divvies

January 17, 2014 – April 6, 2014

Art Gallery of Grande Prairie (Alberta, Canada)


Born and raised on a ranch in Southern Alberta, Clay Ellis explores his connection with the landscape, referring to images, the temperament and gestures of his past.

“I think that the focus behind this exhibition is equal parts of reflecting on the experiences of growing up on the ranch, considering the reality of no longer being a part of it, and pondering what the land means to the individuals that currently live on the property.”


The transformation of the ranch itself, from homestead to ranching company, marked by the restructuring of out-buildings, the parceling of land, and the move towards automation, has happened in only a few generations.

For most operations, it is no longer necessary or practical to house a workforce, a shift that replaced hired hands and displaced extraneous family members. Usable tack turned to relic, and family members became guests to a property that had once been their home.


It is from the perspective of guest that Ellis makes his observations. While the works are informed by the changing perspectives of land use and ranching practices from one generation to the next, it has been his yearly visits over a 45 year period that have allowed him to see changes to the landscape that may escape those embedded in the rigors of the day to day.

Ellis neither condones nor prescribes ideology but rather suggests that to assess change we must first see it.




“Art has much more important things to do than change the world”–Clay Ellis, in one of those aforementioned conversations.