I am a British/Canadian writer and academic who has become increasingly troubled by what contemporary academia does to scholarship. I started this blog mostly to sound off. Thankfully it has wandered off the straight and narrow from time to time.
Educated in the UK at the Universities of Essex and Durham, I began my career with several books on social theory (Marx’s Method, 1978; The Violence of Abstraction, 1986; Capitalism and Modernity, 1990) and historical sociology (The Great Arch: English State Formation as Cultural Revolution, with Philip Corrigan, 1985). I taught sociology at the University of Glasgow from 1978 before moving to the University of Alberta, Canada in 1986. I was Chair of the U of A Sociology Department from 1996-2000 and held a Canada Research Chair from 2000-2005. I co-founded the Journal of Historical Sociology (Wiley-Blackwell) in 1988 and am a Fellow of the Royal Society of Canada.
Since the 1990s the core of my work has been a trilogy of books published by Princeton University Press that take the city of Prague (where I lived from 1991-1993) as an alternative vantage point from which to excavate the dreamworlds of modernity. This project has increasingly drawn me into cultural history.
The Coasts of Bohemia: A Czech History (1998) used the modern Czech experience to explore questions of national identity and historical memory from the mid-18th through the mid-20th centuries. Prague, Capital of the Twentieth Century: A Surrealist History (2013) zoomed in on modernism in the Bohemian capital during the earlier twentieth century, with a particular concern with the fraught relations between avant-garde art and revolutionary politics. I am now working on the final volume of the trilogy, Prague at the End of History: Postcards from Absurdistan, which will concentrate on the period from 1938 to the present and focus centrally on issues of power and resistance. I hope it will be finished before I am.
Full details of my publications are listed on my CV. I also have a page at academia.edu with copies or links to many of my writings, including the full (downloadable) texts of Marx’s Method, The Great Arch, The Violence of Abstraction, and the original draft of my 2004 “memoir in search of a subject,” Going Down for Air.
I moved back to the UK in 2006 to take up a Chair in Cultural History at Lancaster University, where I was Head of the History Department from 2009-12. I retired from Lancaster and returned to Canada in June 2016. Two days later a narrow majority of the great British public decided to turn its xenophobic back on the European Union. Non, je ne regrette rien.
I hope retirement will give me more time to think and write. My recent publications include a short book, Making Trouble: Surrealism and the Human Sciences, in the Prickly Paradigm Press pamphlets series, a lengthy article on Brexit and Trump, and a history-cum-travel guide, Prague: Crossroads of Europe, which is in press for publication in Reaktion Books’ Cityscopes series in Fall 2018.
I do have a life besides. It includes a lot of travel, especially road trips in rented SUVs (though the USA, which I love, will have to remain off-limits so long as the disgusting Trump occupies the White House); wine and food (growing, cooking and eating it); art and photography, which has become a consuming hobby; a lifelong love affair with music, ranging from dead operatic sopranos to cacophonous jazz to the weirder shores of Americana; family and friends on both sides of the Atlantic, as well as a good deal further south and east; my beloved partner Yoke-Sum; and my loopy brioche-and-Basque-cheese-eating standard poodle Luci.
Luci was named for Lucinda Williams but on reflection she should probably have been called Dolly.