signs of passage

Geoffrey James, End of the Fence, looking West, Otay Mesa, from the series Running Fence, 1997, gelatin silver print, 76.3 x 84 cm; image: 46.1 x 57.9 cm, CMCP Collection, National Gallery of Canada  Ottawa. © Geoffrey James. Photo : NGC

“Frontera: Views of the U.S.-Mexico Border brings together a roster of national and international artists, whose works question the very notion of borders, attempt to define their edges, and explore their representation. The exhibition, organized by Luce Lebart in collaboration with the FotoMexico festival, is on view in the Canadian Photography Institute Galleries of the National Gallery of Canada.

The exhibition takes its title from Frontera, a series of photographs by Mexican photographer Pablo López Luz. Shot from a helicopter in 2014 and 2015, these aerial images reveal the meandering course of the dividing line between the two neighbouring countries. The border, easily identifiable in many of the images, is invisible in others. Along the base of mountain ranges the frontier seems a trail of lacerations in the landscape, while in desolate terrains it merges and finally disappears into a network of lines. In places the border takes the form of different kinds of fencing, while elsewhere it is embodied in architectural structures that are both imposing and dissuasive. Along its entire length, the border is one of harsh landscape that deters crossings.

‘Is this Mexico, or is it the United States?” comments Lebart. “It is often impossible to distinguish one side from the other. But Pablo López Luz’s images systematically reveal a key identifying feature: the presence of a road running along the border, used by the US Border Patrol for surveillance.'”

 


 

an embarrassment at Oxford

 

oxford woman cleaner

The Daily Telegraph reports that “The University of Oxford has apologised after an image of a female cleaner being made to clear a message reading “Happy International Women’s Day” was shared on Twitter by a professor.

Oxford Associate Professor of Political theory, Dr Sophie Smith, tweeted the photograph, writing: “Oxford security makes a woman cleaner scrub out ‘Happy International Women’s Day’ on the Clarendon steps. What an image for #IWD, @UniofOxford.”

Sometimes a picture is worth a thousand words …


 

South London comes to the Big Apple

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New York was recently invaded by South London, mostly not white.  “The concert – a showcase of British jazz held at downtown club Le Poisson Rouge – was America’s introduction to a small but mighty group of young musicians who during the past three years have helped turned South London into a new jazz epicenter,” reports Rolling Stone.  “There was tenor saxophonist Shabaka Hutchings, at 33 the scene’s elder statesman … Also on tenor was Nubya Garcia, whose quartet embraced classic postbop, but with a fiery group interplay that transcended rote chorus-solos-chorus structures …

“It’s a strange word, ‘jazz,'” Hutchings tells Rolling Stone two days after the showcase, when asked if he’d describe his own music that way. Born in London but raised in his parents’ native Barbados, Hutchings picked up the clarinet at nine, practicing it by mimicking the flows of Nas, Biggie and Tupac verses he was hearing on American radio, and the hyper rhythms of the local Carnival, before returning to England to receive a classical-music degree on the instrument … “The people I revere as master jazz musicians have said they don’t want the word,” he continues. “It’s limiting. It tells them more what they can’t be than what they can. So – do I consider myself a musician who is limited?”

Like Hutchings, his younger colleagues – first- and second-generation Afro-Caribbean immigrants, multi-hyphenated in their cultural backgrounds and in their music – uniformly reject a narrow definition of their chosen style. London’s sound is less a riff on classic African-American jazz than a polyglot party music of the city’s minorities – with calypso and dub, grime and Afrobeat as much its building blocks as Coltrane’s ‘Giant Steps.'”  Long live multiculturalism.


 

an embarrassment at Cambridge

Oxford’s faux pas brought to mind slightly older news from Cambridge, which I didn’t post here at the time because other things crowded it out that week.

Commenting on the Oxfam Haiti scandal, Cambridge Professor of Classics and well-known media personality about town Mary Beard caused uproar when she tweeted:  “I do wonder how hard it must be to sustain ‘civilised’ values in a disaster zone.”  She made things worse on a follow-up post on her regular TLS blog “A Don’s Life,” where she drew an unfortunate analogy between aid workers in Haiti and the boys abandoned on a desert island in William Golding’s Lord of the Flies.  She later tweeted an image of herself in tears, saying “I am really not the nasty colonialist you say I am” …

In a public response, Cambridge English lecturer Priyamvada Gopal urged Beard “to rethink the problematic concept of a ‘disaster zone’ (Trump was more upfront — he called them ‘shitholes’) and what that really means in geopolitical terms in terms of who does what and who is responsible for their appearance as spaces of catastrophe. Still more troubling,” she continued, “is your notion that moral bearings (‘civilised values’!) understandably disappear in spaces where people struggle with the worst things that can happen to human beings.”   She described Beard’s tweet as symptomatic of the culture at Cambridge “where there is little direct abuse but plenty of genteel and patrician casual racism passing as frank and well-meaning observations …”

Gopal got a lot of flak for daring to call out “a national treasure,” including a dressing-down from Times columnist David Aaronovitch, who accused her of being “a privileged Oxbridge academic shivving a colleague.”


Update, 15 June 2018.  Mary Beard was made a Dame in the latest Queen’s Birthday Honours List.  Coincidence? Or is it a genteel reminder that the subaltern should keep her mouth firmly shut?  Even if—or perhaps especially if—she is what Niall Ferguson has described in the Spectator as “an obscure Cambridge lecturer.”

 


 

sign the brexit papers!

nottingham trent
Photograph: Fabio de Paolo/Fabio De Paola

Rufaro Chisango, a student at Nottingham Trent University, posted a video on Wednesday in which a group of men can be heard chanting outside her student dorm room “we hate the blacks” and “sign the Brexit papers,” reports the Guardian.

“Words cannot describe how sad this makes me feel, in this, 2018, people think this is still acceptable,” she wrote on Twitter …

In the footage, a group of men can be heard chanting “ooh-aah, fuck the blacks”, “we hate the blacks” and “sign the Brexit papers”.  Chisango said the video did not catch other phrases the men shouted, such as “blacks would go back to picking cotton”. She wrote on Twitter: “I’m the only black person on my floor and they were chanting this outside my door, so don’t be surprised to why I didn’t leave my room.”

Nottingham Trent was named University of the Year in the 2017 Times Higher Education awards, and Modern University of the Year in the 2018 Times and Sunday Times awards.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

 

tina fontaine

In a case widely seen as yet another example of the Canadian justice system’s betrayal of indigenous people, on February 22 56-year-old Raymond Cormier was acquitted of the murder of 15-year-old Tina Fontaine.  Tina’s 72-pound body was found in Winnipeg’s Red River, wrapped in a duvet cover and weighed down with rocks, on Aug. 17, 2014.

This verdict follows hard on the heels of Saskatchewan farmer Gerald Stanley’s equally controversial acquittal for the murder of 22-year-old Colten Boushie of the Red Pheasant Cree Nation, whom Stanley admitted shooting in the head at point-blank range.  There were no indigenous people on either jury.

This chronology of Tina’s last days, compiled by CBC, documents what witnesses said happened during her time in Winnipeg before she died, and what police did after her body was found.  It is a horrifying story of (at the least) official neglect of duties of care toward a minor.  Read in full and soak up every tragic detail.


 

opium dreams

 

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“More than 2 million Americans are now hooked on some kind of opioid, and drug overdoses — from heroin and fentanyl in particular — claimed more American lives last year than were lost in the entire Vietnam War. Overdose deaths are higher than in the peak year of AIDS and far higher than fatalities from car crashes. The poppy, through its many offshoots, has now been responsible for a decline in life spans in America for two years in a row, a decline that isn’t happening in any other developed nation. According to the best estimates, opioids will kill another 52,000 Americans this year alone — and up to half a million in the next decade.

We look at this number and have become almost numb to it. But of all the many social indicators flashing red in contemporary America, this is surely the brightest. Most of the ways we come to terms with this wave of mass death — by casting the pharmaceutical companies as the villains, or doctors as enablers, or blaming the Obama or Trump administrations or our policies of drug prohibition or our own collapse in morality and self-control or the economic stress the country is enduring — miss a deeper American story. It is a story of pain and the search for an end to it. It is a story of how the most ancient painkiller known to humanity has emerged to numb the agonies of the world’s most highly evolved liberal democracy.  Just as LSD helps explain the 1960s, cocaine the 1980s, and crack the 1990s, so opium defines this new era. I say era, because this trend will, in all probability, last a very long time. The scale and darkness of this phenomenon is a sign of a civilization in a more acute crisis than we knew, a nation overwhelmed by a warp-speed, postindustrial world, a culture yearning to give up, indifferent to life and death, enraptured by withdrawal and nothingness. America, having pioneered the modern way of life, is now in the midst of trying to escape it.”

Informative, thoughtful, and disturbing essay on America’s opioid epidemic by Andrew Sullivan in New York magazine.   Essential reading.


 

generational politics

 

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In the wake of the attacks by old white GOP politicians on the activist teenage survivors of the Stoneman Douglas High School shooting, the latest PEW Research Center survey on generational attitudes in American politics repays careful reading.

While it is clear that age intersects with other important variables in shaping conservative vs. liberal attitudes (e.g. “Millennials are more than 40% nonwhite, the highest share of any adult generation; by contrast, Silents and older adults are 79% white”) the conclusion is that there is a huge generational divide in current American politics.  Currently, the elders hold all the Trump cards.

“Generational differences have long been a factor in U.S. politics. These divisions are now as wide as they have been in decades, with the potential to shape politics well into the future.

From immigration and race to foreign policy and the scope of government, two younger generations, Millennials and Gen Xers, stand apart from the two older cohorts, Baby Boomers and Silents. And on many issues, Millennials continue to have a distinct – and increasingly liberal – outlook.

These differences are reflected in generations’ political preferences. First-year job approval ratings for Donald Trump and his predecessor, Barack Obama, differ markedly across generations. By contrast, there were only slight differences in views of George W. Bush and Bill Clinton during their respective first years in office.”

As I wrote in Talkin’ ’bout My Generation  at the beginning of 2018:

Today’s Anglo-American world is ruled by the most privileged members of an entitled and narcissistic generation that will not consider sharing its wealth or its power.  My generation played a disproportionate part in voting them into office.  The new gerontocratic order is epitomized in Donald Trump’s cabinet.  But it is also reflected in Rolling Stone magazine’s exclusionary list of the top twenty greatest albums of all time.

I cannot help thinking it would have been better if a few more of us had died before we got old.  Just enough that the young really could say fuck off to their elders, and not just through their music.

No apologies offered to ancient snowflakes.  The first one now will later be last.


 

Britain’s Muslim footballers

pogba

Manchester United’s Paul Pogba

“Cut through the bigotry of a vocal minority, and there are some pretty uplifting football chants to be heard in England nowadays. Particularly popular at Liverpool is one dedicated to an Arab striker.

It contains the lines: “If he’s good enough for you/He’s good enough for me/If he scores another few/Then I’ll be Muslim too,” and ends with the words: “He’s sitting in the mosque/That’s where I want to be.”

Those who revere “Egyptian King” Mohamed Salah – the subject of the song – are not just paying tribute to arguably the best player in the Premier League at the moment. They’re also adhering to a distinctly British tradition of tolerance and respect. This should be cause for immense national pride.”

Liverpool’s Mohamed Salah, Sadio Mané, and Emre Can, Manchester United’s Paul Pogba, Manchester City’s Yaya Touré,  Arsenal’s Mesut Özil, Tottenham’s Mousa Dembele, Leicester’s Riyad Mahrez, Chelsea’s N’Golo Kanté, Newcastle’s Islam Slimani … heroes of the Premiership, the richest and most competitive football (soccer) league in the world.

The Guardian brings a little light to Brexitland.


 

child brides of kentucky

Myra Lee Brown London 23 May 1958

Jerry Lee Lewis and his 13-year-old bride Myra Gale Brown (who was also his first cousin once removed), London, 23 May 1958

“A bill outlawing child marriage in Kentucky has stalled in the state’s Senate Judiciary Committee after last-minute opposition from a conservative group,” reports Newsweek.

“The bill was proposed by Republican state Senator Julie Raque Adams, and bans marriage under the age of 17, with those seeking to marry at that age requiring a judge’s approval … Under current law, a girl of any age can marry as long as she is pregnant and wedding the expectant father. Teens aged 16 or 17 can marry with parental permission.”

“This is legalized rape of children,” commented Eileen Recktenwald, the executive director of the Kentucky Association of Sexual Assault Programs. “We cannot allow that to continue in Kentucky, and I cannot believe we are even debating this is the year 2018 in the United States.”

I can.  In 2017 the Independent revealed that more than 200,000 children were married in the US over the past 15 years, including three 10-year-old girls and an 11-year-old boy.

This land is Trump’s land, this land is Moore’s land.  And this preposterous country still sees itself as leading the world?


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

 

 

henna, Syria, and the Muslim ban

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“The night the United States launches fifty Tomahawk missiles on the Syrian Shayrat airbase near Homs, I am washing henna and indigo out of my hair. The tub is splashed with tourmaline blue, speckled like the delicate markings on a sparrow’s egg, and from the living room I can hear the newscasters referring to margin of error, airpower, and the “perils of the region.” The water runs down the drain.

When I was little, I used to pore over the photo albums of my parents’ wedding and their honeymoon in Syria, tracing the shots of my cousins and aunts and great-grandparents lined up in the courtyard for family photos, dozens of demitasses of Turkish coffee and laughter over backgammon. How young and strong my father still looked in the eighties, fifteen years before the doctors saw a constellation of powdered glass strewn across the wide basin of his lungs.

The reporter drones on, and the night bursts open on the other side of the world. I squeeze the last of the muddy water from my hair, riming my fingernails with blue …”

The beginning of Jennifer Zeynab Joukhadar‘s stunningly beautiful, sad, and angry essay in the Paris Review on being the child of Syrian immigrants, born in America.


 

the bros of UC Berkeley IT

berkeleygro_featured

 

“… the red flags started to pop up almost immediately. Even before she started. Several of her soon-to-be coworkers suggested her mid-day interview be moved to a restaurant where they could get beer. It was a preview of a culture where employees would go out drinking every night, which lead to hostile treatment of women if they went, and ostracization if they didn’t, according to multiple sources, including three of the women who worked at EEI, Sarah Fernandez, Zoey Lin, and [Vanessa] Kaskiris …

They were belittled, the men rolled their eyes and texted when they talked in meetings, they were criticized for not being “technical” enough, they were kept off the most challenging and high profile projects, stuck with the work that no one else wanted to, saddled with marketing and PR work. There were jokes about periods and childbirth. When Fernandez had made her case that she deserved a raise, the men in the team found out about it and ostracized her, refusing to sit on the same side of table with her in meetings. Men sabotaged these women’s work by refusing to grant them technical permissions, or putting up other roadblocks. They were called names like “little girl” if they were too feminine or criticized for having “too much testosterone” if they tried to be one of the guys …”

Kaskiris took them to Berkeley’s Office for Prevention of Harassment and Discrimination, who agreed that the University IT department had “created a hostile work environment, based on gender” in violation of both Berkeley’s own rules and the discrimination protections of the U.S. Department of Education and the Civil Rights Act.

Five days later Kaskiris was laid off “due to mandatory budget cuts.”  A chilling story of sexism at the “home of free speech,” told in all its nasty bro by bro detail by Sarah Lacy.


 

plus ça change, plus c’est la même chose

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“A French state prosecutor has opened an inquiry into incitement to racial hatred after the selection of a mixed-race teenager to play the folk heroine Joan of Arc in annual festivities in Orléans was met with racist abuse from far-right users of social media,” reports the Guardian.  Seventeen-year-old Mathilde Edey Gamassou’s mother is Polish and her father is from Benin.

“Joan of Arc was white,” read one Twitter post. “We are white and proud of being white, don’t change our history.”

Another comment, on the anti-Muslim site Resistance Republicaine, complained: “Next year, Joan of Arc will be in a burqa.”


 

British values

 

Dazed & Confused reports: “Yarl’s Wood Immigration Removal Centre has long been infamous for its indefinite detention of women seeking asylum in the UK. Since Wednesday, 120 women detained have been on hunger strike to protest the issues they say they are facing – from the “detention of people who came to the UK as children” to “systematic torture”.

A Home Office spokesperson told The Independent: “Detention and removal are essential parts of effective immigration controls, especially in support for the removal of those with no lawful basis to stay in the UK.

“We take the welfare of our detainees very seriously and any detainees who choose to refuse food and fluid are closely monitored by on site healthcare professionals.”

Asked what he thought of western civilization, Mahatma Gandhi is said to have responded “I think it would be a good idea.”

 


 

hard facts

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Cabrini Green housing project, photo from Halley Miglietta, Ceilings of Oppressions series

“Fifty years after the historic Kerner Commission identified ‘white racism’ as the key cause of ‘pervasive discrimination in employment, education and housing,'” writes Tracy Jan in the Washington Post, “there has been no progress in how African Americans fare in comparison to whites when it comes to homeownership, unemployment and incarceration, according to a report released Monday by the Economic Policy Institute.

In some cases, African Americans are worse off today than they were before the civil rights movement culminated in laws barring housing and voter discrimination, as well as racial segregation …

The share of incarcerated African Americans has nearly tripled between 1968 and 2016 — one of the largest and most depressing developments in the past 50 years, especially for black men, researchers said.  African Americans are 6.4 times as likely than whites to be jailed or imprisoned, compared with 5.4 times as likely in 1968.”

As I said, plus ça change, plus c’est la même chose.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

I have a vision of the future, chum

chernobyl dog

“After the Chernobyl disaster in 1986, Pripyat and the surrounding villages were abandoned, and residents were not allowed to take their pets to safety. Chernobyl Prayer, a devastating oral history of the period, tells of “dogs howling, trying to get on the buses. Mongrels, alsatians. The soldiers were pushing them out again, kicking them. They ran after the buses for ages.” Heartbroken families pinned notes to their doors: “Don’t kill our Zhulka. She’s a good dog.” There was no mercy. Squads were sent in to shoot the animals. But some survived and it is mainly their descendants that populate the zone.

Life is not easy for the Chernobyl strays. Not only must they endure harsh Ukrainian winters with no proper shelter, but they often carry increased levels of radiation in their fur and have a shortened life expectancy. Few live beyond the age of six.

But it’s not all bad news. The dogs that live near the zone’s checkpoints have little huts made for them by the guards, and some are wise enough to congregate near the local cafe, having learned that a human presence equals food. These canine gangs act as unofficial Chernobyl mascots, there to greet visitors who stop at Cafe Desyatka for some borscht.”


 

Hickory, North Carolina

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A stove built into the hillside at one of the nicer homeless camps in Hickory. Credit: Maddy Jones

“So Stacy and Dave ended up in a plastic tent in a hollow behind the Golden Corral, not far from the Hilton Garden Inn where Stacy found a housekeeping job for minimum wage. When Dave got a car, the back of the Walmart parking lot became a luxury.

Once the ‘furniture capital of the world,’ Hickory was left behind by the 21st century. The city of 40,000 dominated the industrial economy of North Carolina’s western Piedmont. Now the Wendy’s and Dollar General stores, abandoned properties and empty factories are the main signs of an economy, an ugly contrast against the views of Appalachia in the distance. Hickory and the rural areas around it are overwhelmed by underemployment, heroin, meth, pills, despair, and homelessness. In Hickory the epicenter is Lenoir Rhyne Boulevard, and that’s where I met Stacy, hanging out at the Life House, a day shelter next to the Salvation Army.

According to the North Carolina Coalition to End Homelessness, there were 8,962 homeless in the state in the early months of 2017, and nearly a third had no shelter. Tent cities are an open secret. They’re in Raleigh, and Durham, not far from the nicest neighborhoods of the richest country on earth. And they’re all over Hickory, in the woods behind chain restaurants, in places most people choose not to look. They’re technically illegal. But it’s better than sleeping in a public park, or on the steps of City Hall, and absent trouble they’re usually allowed to stay.”


 

unreal canadians

tessa virtue

“Virtue and Moir have been a duo for 20 years now, skating together for the first time as eight- and ten-year-olds from London, Ont. In their final Olympics, they have again enthralled romantics and voyeurs the world over. Their intimacy shows in everything they do: it’s gentle as they finish each other’s sentences, it’s imbued with desire as they look longingly at one another as they speak, it burns with a sexual chemistry so hot you could set it alight as they weave easily into each others’ bodies on the ice. And they’ve been swearing for the better part of two decades that their intimacy stops just short of love.

We see the crackling moments of cinematic chemistry between them, but this isn’t the movies — it’s better. And every four years when they blaze across our screens, they give us something to hope for: that this kind of intimacy is not only real, but that it can last. That this kind of synchronicity, intimacy, understanding between two humans is not only possible, but gorgeously achievable.”  (from the National Post)


 

the (white) hunter and his gun

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In the wake of the latest US school shooting, at Marjory Stoneman Douglas High School in Parkland, Florida, the real  “American carnage” in which 17 students were slaughtered by a white, male shooter (who liked to wear a MAGA Trump hat)—

“Seventy-four percent of gun owners in the United States are male, and 82 percent of gun owners are white, which means that 61 percent of all adults who own guns are white men, and this group accounts for 31 percent of the total US population. The top reason Americans give for owning a gun is for protection. 

What are the majority of white men so afraid of? Does anyone believe that centuries of racial and economic domination of the United States by white men have left no traces in our culture, views, or institutions? It’s not likely, given all the evidence to the contrary. The ongoing influence of this history is compounded by the lack of acknowledgment of the colonists’ savage violence across the continent that continued until the 20th century, and the legacies of African slavery through such practices as convict leasing, legal segregation, rampant institutional racism, discrimination, police killings, mass surveillance, criminalization, and incarceration.

There is another historical paradigm that contributes to the white American male’s affinity for firearms, namely, ‘The Hunter’ …”

Beautiful and timely literary analysis of White American myths of origin from Roxanne Dunbar-Oritz’s new book Loaded: The Disarming History of the Second AmendmentCity Lights, 2018.


 

real canadians

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The Ottawa Citizen reports that “Hundreds of Asian-Canadian protesters, supported by several white, far-right, anti-immigrant groups stormed Parliament Hill on Sunday afternoon to demand an apology from the prime minister.

According to plans for the protest on voteforright.com, members of the Asian-Canadian community feel victimized by a Toronto girl’s false claim in January that an Asian man cut off her hijab and Prime Minister Justin Trudeau’s apparent rush to view the fictitious incident as a hate crime …

Providing security for the Asian protesters were several anti-immigration, ultranationalist groups such as Quebec’s La Meute — or Wolf Pack — and the Northern Guard. Several Proud Boys — a far-right men’s group — were also in attendance.

La Meute’s Stéphane Roch said his members — of which there are 42,000 in Quebec — were in Ottawa to support the Chinese community.

Roch called them “real Canadians” who have been in the country for hundreds of years. “The Chinese community are a very good community. Trudeau don’t listen to them.”


The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

archive fever

angela davis wanted.jpg

The Schlesinger Library at Harvard University’s Radcliffe Institute for Advanced Study has acquired more than 150 boxes of papers, photographs, pamphlets and other material that span Angela Davis’s life.

Professor Davis’s archive, reports the New York Times, “ranges from her childhood in segregated Birmingham, Ala., where she was born in 1944 to activist parents; to her studies with the Frankfurt School philosopher Herbert Marcuse (who recalled her as his most brilliant student); to her more recent activism with groups like Critical Resistance, the prison-abolition advocacy group she helped found in 1997.”

The archive also includes the typescript of Davis’ 1974 autobiography, complete with handwritten queries and comments from her editor, Toni Morrison.

“Its richest vein concerns the tumultuous period that began in 1969, when then Gov. Ronald Reagan ordered [Davis] fired from her teaching position at the University of California, Los Angeles, because of her Communist Party membership, before she had even taught her first class …

In 1970, she was charged with murder, kidnapping and criminal conspiracy charges after guns she had purchased were used in an attack on the Marin County Courthouse that was aimed at liberating the Soledad Brothers, but instead left four people, including the attacker, dead.  The trial that followed — in which Professor Davis participated in her own defense — sparked an international campaign, turning ‘Free Angela’ into a global rallying cry.”

And today, nearly half a century on, a white supremacist sits in the White House and the prisons are fuller than ever with black bodies.  Progress, y’all.


field notes from liberal America

Liberty Corner Presbyterian Church

“Long before Trump came along to capitalise on it, Islamophobia was building in the US, bubbling up like swamp gas from the depths. Often, racial conflict would manifest itself in small, seemingly isolated local planning fights over proposals to build mosques …

There is, literally, an anti-mosque playbook. Tactics were once unwritten, spread through websites and word of mouth, but more recently they were set down in a book titled Mosques in America: A Guide to Accountable Permit Hearings and Continuing Citizen Oversight. Written a Texas attorney, it was published by the Center for Security Policy, an organisation headed by Frank Gaffney, a former Reagan administration official who has long espoused the theory that Muslims are engaged in a secret plot to impose sharia law on the US. Gaffney writes in the book’s introduction that it is a ‘how-to manual for patriotic Americans who are ready to counter the leading edge of Islamic supremacism.'”

Well-researched, informative, and decidedly chilling long read from the Guardian.


field notes from Trump country

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“Epidemiologists at the National Institute for Occupational Safety and Health say they’ve identified the largest cluster of advanced black lung disease ever reported, a cluster that was first uncovered by NPR 14 months ago.

‘This is the largest cluster of progressive massive fibrosis ever reported in the scientific literature,’ says Scott Laney, a NIOSH epidemiologist involved in the study.

‘We’ve gone from having nearly eradicated PMF in the mid-1990s to the highest concentration of cases that anyone has ever seen,’ he said.

The clinics are operated by Stone Mountain Health Services and assess and treat coal miners mostly from Virginia, Kentucky and West Virginia, a region that includes what have historically been some of the most productive coalfields in the country …

PMF, or complicated black lung, encompasses the worst stages of [pneumoconiosis], which is caused by inhalation of coal and silica dust at both underground and surface coal mines.

Miners gradually lose the ability to breathe, as they wheeze and gasp for air … Lung transplants are the only cure, and they’re possible only when miners are healthy enough to qualify.”

Beautiful, clean coal.


Polish. Death. Camps.

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BBC reports that “Poland’s Senate has approved a bill making it illegal to accuse the Polish nation or state of complicity in the Nazi Holocaust.  The bill provides that ‘whoever accuses, publicly and against the facts, the Polish nation, or the Polish state, of being responsible or complicit in the Nazi crimes committed by the Third German Reich … shall be subject to a fine or a penalty of imprisonment of up to three years.’

President Andrzej Duda says Poland has the right ‘to defend historical truth.'”

Alternative facts, anybody?


 

little local library

hrabal wall

Heartening to read that while President Erdogan fires academics and imprisons journalists, “Turkish garbage collectors in the country’s capital city of Ankara have opened a public library that is full of books that were originally destined to be put into landfill. The workers began collecting discarded books and opened the new library in the Çankaya district of Ankara. News of the library has spread and now people have begun donating books directly to the library, rather than throwing them away.

As CNN reports, the library was originally created for the use of the employees’ friends and family but, as it grew in size, the library was officially opened to the public in September of last year …  The library now has over 6,000 fiction and non-fiction books and includes a children’s section, an area dedicated to scientific research books, and a number of English and French language books for those who are bilingual.”

Eerily reminiscent of Bohumil Hrabal’s Too Loud a Solitude.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

 

white middle class

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Photo Eric Thayer for the New York Times

“Though class divisions are a frequent topic for [big-city newspaper columnists], little attention is paid to seemingly important factors like income, access to basic services and the intersections between class and race. Instead, pundits choose to focus entirely on superficial cultural differences and consumer choices. The result is a constant stream of patronizing paeans to a mythical rural America and bizarre, half-baked theories that replace sociology with observations about which restaurants people go to …

This kind of misguided prejudice is also apparent in liberal circles. A few months ago, Keith Olbermann, the unofficial head of the #Resistance, criticized Trump for hosting Sarah Palin, Ted Nugent, and Kid Rock at the White House, whom he called “trailer park trash.” Classism aside, Olbermann fell into the same trap … he saw white people with bad fashion sense and assumed they must dwell at the bottom of the social hierarchy. Obviously, all three of Trump’s guests are now multimillionaires, but even pre-fame they were far removed from poverty. Sarah Palin’s hometown of Wasilla, Alaska is a suburb of Anchorage; her father was a science teacher and she enrolled in a four-year college immediately after high school. Ted Nugent was raised in the Chicago suburbs; Kid Rock the Detroit suburbs, where he grew up in a home that was recently put on the market for $1.3 million. Palin, Nugent, and Rock are exactly who the statistics show propelled Trump to victory — the comfortable white middle class.”

Sharp essay by Alex Nichols from July 2017.


 

all my mirrors of belonging have cracked

han suyin

“With my first book, and as I worked, much harder, on the next, a slow unravelling of our tie began. As my own sense of a place in the world grew, I could no longer understand her passion for China with quite the sympathy I once had. She refused to see both sides of the story after the Tianamen disaster, and created a counter-narrative. For years I held her intransigence responsible for the unravelling tie, but I can see now how I wanted her be who she no longer wanted to be. I wanted her to return to writing introspective fiction. I wanted her to be the cosmopolitan New Asian she’d been in her prime, not an apologist for a duplicitous regime or an old-style Chinese conservative. I wanted her to admit to feelings of exile and loss, while I still followed the party line she handed me: We are not divided. We are multiple. There is no unbelonging. There are no borders.

And yet if she hadn’t had to work through the dilemmas of dispossession there would have been no public persona, no sweeping statements, no grande dame of the Chinese Revolution. But that was her public role. The Suyin I knew had left home long, long ago and could only inhabit temporary shelters. Even the language she wrote in was her third. Suyin admitted to crushing loss. Suyin survived it all. Suyin was a superlative.

Even in our wholeness there are fractures. I’d compose letters to her:

‘Suyin, there are divisions. There are – to use one of your favourite words – contradictions. Contested belongings. No composites, no continuous wholeness: only an illusion, a yearning, a longing.

I never wrote them or if I did I left them unsent.”

Aamer Hussain writes in Granta on his friendship with Han Suyin.


 

identity politics

no man's land

“When the ban happened, it was like I was stripped away from being able to call myself American. It was a wake up call, and I felt like all I had left was Sudan – but it felt out of reach, like grasping for something while every inch of your body tries to pull you back. In the wake of that, traveling back to Sudan was different. This time, I didn’t want to leave. Lately, I’ve been having thoughts about what life would look like for me, had my parents never immigrated. I’m a Muslim American straddling the fine line between being too black and not black enough, too Muslim and not Muslim enough, too Arab and not Arab enough. This fluid sense of mis-identity has become my identity.

I’ve never lived in a place where I felt like I was a part of the majority, where I didn’t have to worry about taking up space. I love Sudan, but deep down I know it will never be for me what it is for my parents. America won’t either. If you asked me today to choose between the two I don’t know what I would say. I guess I’m accepting that I will forever be in this space of falsified identity. In limbo. The Trump ban forced me to reexamine my role as a Sudanese American. It reminded me that freedom will forever be a fleeting notion.”

Nadra Widatalla writes in Dazed and Confused on what Trump’s “Muslim Ban” means to her.


 

Nikesh Shuckla takes the last train home

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It’s late and I’m on a train back to Bristol. I’ve just done a talk about a book I worked on, about race and immigration and I’m wearing the name of the book – The Good Immigrant – across my sweatshirt.

It’s late and I’ve spent the evening talking at people, so I’ve bought myself a burger and a beer to keep me company on the two-hour journey home.

The train is packed until Reading, as it always is, and then deathly quiet. Bored and with a need to stay awake, I put on a crap Jason Statham film, perfect company for the long journey. The action-packed thrills will keep me awake because if I fall asleep and miss my stop, I’m ending up in Swansea.

The further the train gets from London, the more it empties out. I don’t really notice it at first. I’m too engrossed in the film.

Around Swindon, three men get on the carriage shouting loudly. They sit around me and talk. I realise, looking at them, and around, and up from my Jason Statham film, that the carriage is empty, except for me and for them. They are carrying beer cans and talking in that high octave slur that carries most lads home from the pub after closing time. One of them looks at me and my sweatshirt then gets up and moves closer.

As he stands, he says: “There’s no such thing as a good immigrant” …


 

Friday night lights in the era of BLM

KIPP Gaston School

“I am so pissed this morning,” began a soon-to-be viral Facebook post. “KIPP Gaston College prep is trying to make my granddaughter kneel for the national anthem at the football game Friday night.”

It was the tail end of September 2017, past the midway point of the most politically charged year since the last one, and President Trump had just ignited a national controversy over NFL players kneeling during the national anthem. In an act of Twitter jujitsu, Trump turned Colin Kaepernick’s protest against social injustice into a referendum on patriotism, the military and the flag, opening the latest front in his ongoing culture war.

Now the battle had come to a charter school in rural North Carolina. For a few hours on social media, the national debate over Kaepernick’s protest movement exploded inside one school in a small town, exposing how the polarized politics of the Trump era have trickled from Washington DC down into America’s communities …”

A long read and a salutary one.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

Signs of the times

signoftimes

 

DO WHAT YOU WILL

I am Muslim, register me.

I am Mexican, deport me.

I am African American, imprison me.

I am LGBT, refuse to serve me.

I am poor, blame me.

I am elderly, privatize me.

I am woman, defund me.

I am homeless, ignore me.

I am disabled, bully me.

I am sick, uninsure me.

I am indigenous, pollute me.

I am a veteran, voucher me.

I am an American, lie to me.

AUTHOR UNKNOWN


lorde

Rejoice! Our times are intolerable. Take coverage for the worst is a harbinger of the best. Only dire circumstance can precipitate the overthrow of oppressors. The old and corrupt must be laid to waste before the just can triumph. Contradiction will be heightened. The reckoning will be hastened by the staging of seed disturbances. The apocalypse will blossom.

AUTHOR: Jenny Holzer   WEARER OF THE DRESS: Lorde

“Lorde’s message comes amid reports that she declined to perform at this year’s Grammys because the show’s organizers refused to offer her a solo performance, as they did the other, male Album of the Year nominees. She also notably skipped the red carpet.”


 

beyonce-formation-lyricsImage from Randi Bryant, Beyonce’s Letter to You about “Formation,” at Beatnik24

Dozens of artists came to the Grammys wearing white roses in solidarity with Time’s Up and sexual misconduct victims. But that spirit of female empowerment wasn’t reflected in this year’s winners, nor in remarks made by Recording Academy president Neil Portnow, who suggested that if women wish to collect more golden gramophones moving forward, they need to double down on their efforts.

“I think it has to begin with women who have the creativity in their hearts and their souls — who want to be musicians, who want to be engineers, who want to be producers, who want to be part of the industry on an executive level — to step up, because I think they would be welcome,” Portnow told journalists backstage after the show.

Step up, Neil? Creativity in their hearts and their souls, Neil?  Where were you in 2015 when Beck’s “Morning Phase” won Album of the Year ahead of Beyonce’s “Beyonce” and in 2017 when Adele’s “25” won Album of the Year ahead of Beyonce’s “Lemonade“?

Adele herself said on stage: “I can’t possibly accept this award. And I’m very humbled and I’m very grateful and gracious. But my artist of my life is Beyoncé. And this album to me, the “Lemonade” album, is just so monumental. Beyoncé, it’s so monumental. And so well thought out, and so beautiful and soul-baring and we all got to see another side to you that you don’t always let us see. And we appreciate that. And all us artists here adore you. You are our light.”

 


 

trump shithole projection

Trump International Hotel, Washington D.C.  The artist was Robin Bell, but the inspiration comes from Jenny Holzer.


 

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Jenny Holzer, projection, Washington, D.C., 2004


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

Havel-na-podiu-v-Lipnici-3.9.1988-1

 

“Years ago we saw No-Man’s-Land, in a film, and because the film took place in 1918, we thought, fools that we were, that it was past history.  We went home from the cinema with a feeling of pride in the free radiant future toward which the people of today walk hand in hand.  At that time we had not yet experienced the strange twists and turns, the detours, dead ends, blind alleys, that history creates” (Milena Jesenská, “In No-Man’s-Land,” Přítomnost [The Present], 29 December 1938; translated by A. G. Brain, in Jana Černá, Kafka’s Milena, Northwestern University Press, 1993, p. 201).

Three months later Czechoslovakia was dismembered and Bohemia and Moravia invaded by Hitler’s Wehrmacht and turned into a Protectorate of the Third Reich.  Milena Jesenská was arrested in November 1939.  She died in Ravensbrück concentration camp in May 1943.

Today, almost 100 years after Czechoslovakia declared independence from Austria-Hungary and 28 years after the Velvet Revolution, Czech history veers off down another inimitably Czech country lane.

Miloš Zeman, who has warned that if the Czech Republic accepts more refugees from Syria (currently it has admitted a grand total of 12) “unfaithful women will be stoned, thieves will have their hands cut off and we will be deprived of the beauty of women, since they will be veiled” was re-elected as President of the Czech Republic.  At least the margin of victory was narrow (51.36% to Jiří Drahoš’s 48.63%) and the major cities of Prague, Brno and Plzen turned out in force for Drahoš.

Moral: history is never past.  Good thing Václav Havel appreciated the absurd.

Making America White Again

safactnumbers

House Republicans have introduced the Securing America’s Future Act (H.R. 4760). The bill would institute the most severe restriction on legal immigrants since the 1920s.

H.R. 4760 would reduce the number of legal immigrants by more than 420,000, or 38 percent, in 2019. The bill has much in common with a Trump-endorsed bill in the Senate—the RAISE Act (S. 1720)—that would reduce the entry of legal immigrants by more than 470,000, or 43 percent, in 2019. Each would further reduce legal immigration over time.

Both bills would end the diversity green card lottery and ban the entry of all legal immigrants sponsored by U.S. family members, except for spouses and minor children of U.S. citizens. Lawful permanent residents would no longer be able to bring in spouses or children. The RAISE Act would also reduce the age at which U.S. citizens can sponsor minor children from 21 to 18, while the House bill would roughly halve the number of asylees. Both bills immediately cancel applications for millions of people who have waited years to become legal immigrants.

MAGA, y’all!


 

You go, girl!

aly reisman.png

“Last Friday, the multiple gold medal‑winning US gymnast Aly Raisman delivered an electrifyingly powerful victim statement at the sentencing hearing of the former US gymnastics doctor Larry Nassar. If you haven’t watched it, I recommend you take the time. For any 23-year-old to speak with such intensity, poise and control would be remarkable; to do so directly to her sexual abuser in a packed courtroom under the gaze of the cameras is of a radically different order …” (Marina Hyde in the Guardian).  I couldn’t agree more.


 

stay classy, boys

pc_dinner

Meantime in Britain, where they find Donald Trump awfully vulgar, a “charity fund-raiser” takes place at the Dorchester Hotel.

“It is for men only. A black tie evening, Thursday’s event was attended by 360 figures from British business, politics and finance and the entertainment included 130 specially hired hostesses. All of the women were told to wear skimpy black outfits with matching underwear and high heels. At an after-party many hostesses — some of them students earning extra cash — were groped, sexually harassed and propositioned … Hostesses reported men repeatedly putting hands up their skirts; one said an attendee had exposed his penis to her during the evening.”

Among the guests was Nadhim Zahawi, undersecretary of state for children and families.

Time for the tumbrils?


 

dear white people

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S. T. Holloway very lucidly explains “why this black girl will not be returning to the women’s march”:

“In 2014, I, along with several hundred other people, marched in protest against the shooting of Ezell Ford, an unarmed black man killed by the Los Angeles police just days after the killing of 18-year-old Michael Brown in Ferguson, Missouri. And whereas the Women’s March felt like a mosh pit, the Ford protest felt more like an empty parking lot, with protesters walking freely down open streets alongside normal traffic, their movements unrestricted by a voluminous crowd.

While there were certainly some white allies present joining their voices in solidarity, noticeably absent from the Ford protest were the throngs of white women I saw at the Women’s March: the soccer moms, the college students, the housewives with their children in tow, the grandmothers, the career women, the retirees and so on.

Instead, the majority of those present were the regulars, black and brown folks, and in particular, women. On that day, as we have before and have since, we found ourselves alone in our pain. We found ourselves alone in our pleas and cries for justice, for the end to the killing of our children and husbands and fathers and brothers, for the cessation of the systematic dismantling of our families, and for recognition that our lives and the lives of the ones we love do matter.

This willful blind eye, this deliberate ignorance, fosters a culture where millions protest when white women’s access to health care is threatened, but when black maternal death rates in the United States are on par with women in countries like Mexico and Uzbekistan, there is no national outrage or call for reform or worldwide protest.”

Weird.


 

a messy and chaotic mind

zadie smith

“I don’t think of myself as a contrarian. I’m useless at confrontation. But I also can’t stand dogma, lazy ideas, catchphrases, group-think, illogic, pathos disguised as logos, shoutiness, ad hominem attacks, bombast, liberal piety, conservative pomposity, ideologues, essentialists, technocrats, preachers, fanatics, cheerleaders or bullies. Like everybody, I am often guilty of some version of all of the above, but I do think the job of writing is to at least try and minimise that sort of thing as much as you can.”

The wise and wonderful Zadie Smith answers questions from Teju Cole and other fans on the occasion of the publication of her new book of essays Feel Free.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

 

Vic Mensa: What Palestine Taught Me About American Racism

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“For once in my life I didn’t feel like the nigger. As I sat comfortably at a coffee shop, gawking at a group of Israeli soldiers harassing a Palestinian teenager, it was clear who was the nigger. My American passport, ironically, had awarded me a higher position in the social hierarchy of Jerusalem than it did in my hometown of Chicago.”

His debut album The Autobiography is pretty stunning, too.


 

Key findings about U.S. immigrants

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By way of background to what nowadays passes for politics in the United States (or should I say United Shitholes?) of America.

The U.S. foreign-born population reached a record 43.2 million in 2015.  Immigrants today account for 13.4% of the U.S. population, nearly triple the share (4.7%) in 1970. However, today’s immigrant share remains below the record 14.8% share in 1890, when 9.2 million immigrants lived in the U.S.

Useful data from the Pew Research Center.  In snowflake Canada, by way of comparison, the foreign-born population was 20.6% in 2011 Census.  The sky hasn’t fallen yet (and the food choices get better by the year).


 

Sense and sensitivity

3000

“After the 10th or so person sent me the stunningly silly anti-#MeToo letter signed by Catherine Deneuve and a hundred other French women (the actual authorship of which we’ll get to), informing me that I’d love it because finally someone was standing up for sanity, I considered a form letter response: ‘If the question is whether #MeToo has gone too far or not far enough, the answer is obviously BOTH. Putting yourself on one side or the other is politically obtuse.'”

Thank you Laura Kipnis.  Pissing off all sides, as usual.  Both/and rather than either/or.  Courage, subtlety, and intellect, very well worth the long read.


 

Mary Shelley’s Frankenstein at 200

my fair lady

But Frankenstein is no memoir. The question it asks, “How far is too far?”, is at the very heart of modernity. The Romantics, Mary among them, “leaned in” to progress … Published early in this classical era of modernity, Mary’s novel still helps us define its terms today. Shorthand for the way we experience ourselves within a world of increasing man-made complexity, “modernity” is both positive and negative, signalling hope for progress as well as our fear of change. Frankenstein identifies the mismatch between human experience and what we are expected to become as technology and science advance.  (Fiona Sampson, on her new book on Mary Shelley).

“It is the migrant, the refugee, and the Muslim that have become the poor lone impossible monsters abhorr’d of our time, the nameless figures of terror against whom we must circle our wagons and strengthen our walls.  It is salutary how quickly Helena’s sympathy for the robots [in Karel Čapek’s play R.U.R.] turns to disgust once she learns they are not “just like me”—once, that is to say, they have been convincingly Othered, cast outside the pale of the League of Humanity.  “Oh, stop!  At least send them out of the room!” she begs.  In this respect R.U.R. is a more pertinent text for our times than Frankenstein, because of its grasp of this dialectic of resemblance and alterity, attraction and repulsion, fascination and fear. We can send them out of the room but the suspicion of their humanity can never be exorcized.  It eternally returns to haunt us, pricking the collective conscience—in the image of a three-year-old Syrian boy in blue shorts and red top lying face down, drowned, on a Greek beach, for instance, or in the blank, uncomprehending face of a black man who cannot believe he lost all his fingers to frostbite while trying to walk from North Dakota to Manitoba.  The more we can’t get them out of our heads, the more we wish they would just go away.  Make it stop!  Do I hear murmurings of a Final Solution?  We have been here before, and it wasn’t in 1816.”  My take on why Shelley’s astonishing novel still matters.


 

Nonsense and insensitivity

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London’s oldest strip club, the Windmill Theater in Soho, has lost its license after a women’s rights group hired private detectives to gather evidence that the venue broke a ban on physical contact between dancers and clients.  Stacey Clare is a stripper, performance artist, writer, activist and co-founding member of the East London Strippers Collective.  She writes:

“Closing down a venue may feel like a victory to those who champion the abolition of the industry, but taking work away from women relying on it is tantamount to taking food from our mouths. Thousands of girls who otherwise have less value in the wider job market (foreign nationals, single mums, anyone with any sort of disadvantaged background) are turning to stripping and other forms of sex work to survive. According to the English Collective of Prostitutes, record numbers have moved into the sex industry under austerity, which disproportionately affects women, particularly single mothers. In fact, putting women out of work is about the most un-feminist thing possible …

Their [feminist anti-strip club campaigners’] cloak and dagger tactics reveal the kind of attitude women’s rights campaigners have towards us, the women at the centre of this issue – that we, the ‘victims’, cannot be trusted to have a say in the matter so decisions must be made on our behalf, rather than consult with us directly.”

The infernal problem of false consciousness, aka I know what’s good for you better than you do, dear.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.