ethnic cleansing, UK style

windrush

A series of recent stories in the Guardian researched by the indefatigable Amelia Gentleman have highlighted an “immigration anomaly” in which people who came to Britain as children in the 1950s and ’60s (when they were still “British subjects”) and as such have an absolute right to remain in the UK are being subjected to loss of employment, housing, health care and other benefits unless they can retrospectively provide documentation proving their continual presence in the UK.

In the words of the Home Office, “Recent changes to the law mean that if you wish to work, rent property or have access to benefits and services in the UK then you will need documents to demonstrate your right to be in the UK. The government believes this is a proportionate measure to maintain effective immigration control.”  The burden of proof lies with the immigrant, and the documentation requirements (four separate pieces of documentary evidence of every single year spent in the UK) are truly Kafkaesque.

Here are the stories of two of the people whose lives have been turned upside-down.

paulette wilson

61-year-old Paulette Wilson “moved to the UK in 1968 when she was 10 and has never left. Because she had never applied for a British passport and had no papers proving she had a right to be in the UK, she was classified as an illegal immigrant. Last October, she was sent to the immigration removal centre at Yarl’s Wood in Bedford for a week, and then taken to Heathrow before deportation to Jamaica, a country she had not visited for 50 years and where she has no surviving relatives.

The former cook, who used to serve food to MPs in the House of Commons and has 34 years of national insurance contributions, was horrified at the prospect of being separated from her daughter and granddaughter. A last-minute intervention from her MP and a local charity prevented her removal. After Guardian publicity she has since been given a biometric card, proving she is in the UK legally, but she will have to reapply in 2024 and is already worried about the process. She has had no apology from the Home Office.”

renford mcintyre

64-year-old Renford McIntyre “is homeless and sleeping on a sofa in an industrial unit in Dudley. He has lived in the UK for almost 50 years since arriving from Jamaica in 1968 at 14, to join his mother who had moved here to work as a nurse. He has worked and paid taxes here for 48 years, as an NHS driver and a delivery man, but in 2014 a request for updated paperwork from his employers revealed he did not have documents showing he had a right to be in the UK. He was sacked; the local council told him he was not eligible for housing support or any benefits, so he became homeless.

He gathered together paperwork showing 35 years of national insurance contributions but the Home Office returned the application requesting further information. ‘I can’t tell you how angry and bitter it makes me feel. I’ve worked hard all my life, I’ve paid into the system. I’ve sent them details of my NHS pension, and HMRC records going back 40 years. They’ve got all my documents. What more do they want?’ he said. ‘How do they expect me to live? How am I expected to eat or dress myself?'”

Downing Street has now rejected a formal diplomatic request from representatives of 12 Caribbean countries for a meeting with the prime minister to discuss the situation.

This is not an “immigration anomaly.”  It is a deliberate policy.   It is called ethnic cleansing.


 

come back Enoch, all is forgiven

powell

Meantime in what looks suspiciously like a fiftieth anniversary commemoration, the BBC chose this week to broadcast in full Enoch Powell’s 1968 “rivers of blood” speech, in which the then Conservative cabinet minister warned true Brits that “in 15 or 20 years’ time, the black man will have the whip hand over the white man” and foresaw a future in which “They found their wives unable to obtain hospital beds in childbirth, their children unable to obtain school places, their homes and neighborhoods changed beyond recognition.”

The BBC media editor, Amol Rajan, who presented the program, proudly tweeted on Thursday: “On Saturday, for 1st time EVER, Enoch Powell’s Rivers of Blood speech will be read in full on UK radio.”  The Trumpian capitals were Rajan’s.

The actor the Beeb chose to read Powell’s text, Ian McDiarmid, who plays Powell in the play What Shadows?, told the Daily Telegraph that Powell was “not a racist” and was right “in terms of the numbers.”  These days, McDiarmid went on, everyone accepts that “[immigration] can’t go on in an unlimited way because the results, as he said, would be catastrophic”.


 

family values

laura + Biniyam

“Clarke and Tesfaye first got together when she was teaching English at a primary school in Addis Ababa; he was one of her colleagues: ‘We met on my first day. We were friends for about a month, and then after that, things started to develop,’ she says …

Elijah is one of an estimated 15,000 children living without a parent because of restrictions on family visas. Tesfaye would like to live with his family in the UK, but in order to apply to bring over a foreign partner, you must earn at least £18,600 a year. Clarke’s work as a college teacher and PR for a charity brings in an income that is usually “a few hundred a month” short …

The Home Office explanation is short and sharp. ‘Those who wish to make a life in the UK with their family must work hard and make a contribution,’ a spokesperson says. ‘Family life must not be established here at the taxpayer’s expense.'”

Nice to know Mrs May is keeping the bloodlines pure.  Obviously that should trump UK citizens’ rights to marry who they want and expect to live with their spouse.


 

mens sana in corpore sano

legal aid

Best not be disabled in Brexitland either.  “The extent to which savage government cuts have deprived disabled people of legal aid in disputes over their benefit payments is revealed today by new official figures that show a 99% decline since 2011,” reports the Guardian.

“The total number of disabled people granted legal aid in welfare cases has plummeted from 29,801 in 2011-12 to just 308 in 2016-17, cutting some of the most vulnerable people in society adrift without expert advice in often highly complex and distressing cases …

A Ministry of Justice spokesperson denied the government was depriving the most needy of help. ‘Maintaining access to justice remains at the heart of our legal aid system, and last year we spent over £1.6bn to ensure help is available for those who need it most,’ the spokesperson said.”

Ethnic cleansing and eugenics always did go nicely together.  What next, euthanasia for those whose defective genes endanger the national stock?


 

a landmark republished

cunard negro

One Englishwoman who would not have appreciated Theresa May’s attempts to turn Little Britain into a sotto voce Third Reich is Nancy Cunard, whose anthology Negro was published in an edition of 1000 copies in 1934 has never been reprinted in full since.

In a timely counterpart to the BBC’s resuscitation of the racist bile of Enoch Powell, the Paris-based publisher jeanmichelplace has just reissued Cunard’s landmark anthology in full in facsimile form.

“This highly illustrated book of eight hundred and seventy-two pages dedicated to the history of Africa, Madagascar and the black Americas brings together two hundred and fifty articles by one hundred and fifty-five authors,” writes Sarah Frioux-Salgas, archivist at Musée du Quai Branly in Paris, introducing the volume.  “The contributors were activists, intellectuals, journalists, artists, poets, academics, anthropologists, African-Americans, West Indians, Africans, Malagasy, Latin Americans, Americans, Europeans, men and women; some were colonized, discriminated against, segregated.  The book melds popular culture, sociology, politics, history, ethnology, art history, and includes articles, archives, photographs, drawings, portraits, excerpts from the press, poems, musical scores, testimonies as well as statistics.”

“At no other time in the history of America,” Nancy Cunard noted in her Foreword, “have there been so many lynchings as in the past two years, so many ‘legal’ murders, police killings and persecutions of coloured people.  The Scottsboro frame-up is more than an attempt to electrocute 9 innocent black Alabamians—it is part of the effort to force into the dumbest and most terrorised form of subjection all Negro workers who dare aspire to live otherwise than as virtual slaves” (emphasis added).  Her words have unfortunately lost none of their currency.

Highly recommended.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These fragments are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

art history

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In the 1940s, a 16-year-old girl captured the minds of the art world’s elite. The self-taught Algerian artist, Baya Mahieddine (1931-1988) — known as Baya — is finally being celebrated in the first North American exhibition of her work, at NYU’s Grey Art Gallery, through March 31. Baya used gouache as her primary medium, depicting a world without men but full of bright images of women, nature, and animals …

In 1947, when Baya was just 16, she was discovered by Aimé Maeght, an established French art dealer, and André Breton, who included Baya’s works in the Exposition Internationale du Surréalisme at Galerie Maeght in Paris. Almost overnight she caught the attention of Picasso and Matisse, among other prominent artists, for her colorful, spontaneous and “childlike” compositions. “Her work allows us to question so many different histories,” said curator Natasha Boas.  (from Jane Drinkard in The Cut)


 

build that wall

EUROPE-GREECE-MIGRANTS

A German newspaper has published the names of 33,293 refugees and migrants who died trying to reach Europe.  Der Tagesspiegel listed victims’ names, ages and countries of origin, as well as causes and dates of death, over 46 pages.

The newspaper said it wanted to document “the asylum-seekers, refugees and migrants who died since 1993 as a consequence of the restrictive policies of Europe on the continent’s outer borders or inside Europe”.

The majority of the people on the newspaper’s list drowned in the Mediterranean Sea.

Last year was the deadliest for migrants attempting to cross the Mediterranean, with at least 5,079 dying or going missing during their journey, according to the UN International Organisation for Migration (IOM).  (from The Independent)


 

miracles in sicily

sutera classroom
Migration into Sutera has brought a new influx of children to a school that had been earmarked to shut Photograph: Francesco Bellina/Cesura/Francesco Bellina / Cesura

When the phone call came asking the Sicilian townspeople if they had any room in their graveyards, the answer was a reluctant no.

A boat full of migrants had sunk in the Mediterranean. Almost 400 people were dead and they had to be buried somewhere. But the Sicilian town of Sutera, almost entirely populated by older people, had long since filled up its cemeteries.

Yet although there was no room for the dead, there was plenty of room for the living. All but a few hundred people had moved out of the town to find work in bigger cities, leaving behind empty houses. Now there was a chance to repopulate.

And so, since 2014, Sutera has augmented its fast-dwindling population with dozens of asylum seekers. The school has been reborn; the butcher and grocer are happy with the growth in turnover; the birthrate has rocketed.  (From the Guardian)


 

the times they are a-changin’ (maybe)

FT_18.03.15_Millennials-grandparents_education

Some fascinating data from Pew Research on the rapidly changing demographic makeup of America.

“The past five decades – spanning from the time when the Silent Generation (today, in their 70s and 80s) was entering adulthood to the adulthood of today’s Millennials – have seen large shifts in U.S. society and culture … Americans, especially Millennials, have become more detached from major institutions such as political parties, religion, the military and marriage. At the same time, the racial and ethnic make-up of the country has changed, college attainment has spiked and women have greatly increased their participation in the nation’s workforce.”

So how come the United States is still governed by uneducated, conservative, old white men, as epitomized by “President” Donald Trump?


 

the future

naomi wadler.jpg

Naomi Wadler, an 11-year-old girl from Alexandria, Virginia, thrilled hundreds of thousands when she spoke out for “the African-American girls who don’t make the front page of every national newspaper” at the March for Our Lives rally in Washington, DC, on Saturday.

“I am here today to represent Courtlin Arrington,” Wadler said. “I am here today to represent Hadiya Pendleton. I am here today to represent Taiyania Thompson, who at just 16 was shot dead in her home here in Washington, DC. I am here today to acknowledge the African-American girls who don’t make the front page of every national newspaper, whose stories don’t lead on the evening news. I represent the African-American women who are victims of gun violence, who are simply statistics instead of vibrant beautiful girls full of potential.”  (from MotherJones)

The future.  Unless the old white men of the baby boom generation kill us all, one way or another, first.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These fragments are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

signs of passage

Geoffrey James, End of the Fence, looking West, Otay Mesa, from the series Running Fence, 1997, gelatin silver print, 76.3 x 84 cm; image: 46.1 x 57.9 cm, CMCP Collection, National Gallery of Canada  Ottawa. © Geoffrey James. Photo : NGC

“Frontera: Views of the U.S.-Mexico Border brings together a roster of national and international artists, whose works question the very notion of borders, attempt to define their edges, and explore their representation. The exhibition, organized by Luce Lebart in collaboration with the FotoMexico festival, is on view in the Canadian Photography Institute Galleries of the National Gallery of Canada.

The exhibition takes its title from Frontera, a series of photographs by Mexican photographer Pablo López Luz. Shot from a helicopter in 2014 and 2015, these aerial images reveal the meandering course of the dividing line between the two neighbouring countries. The border, easily identifiable in many of the images, is invisible in others. Along the base of mountain ranges the frontier seems a trail of lacerations in the landscape, while in desolate terrains it merges and finally disappears into a network of lines. In places the border takes the form of different kinds of fencing, while elsewhere it is embodied in architectural structures that are both imposing and dissuasive. Along its entire length, the border is one of harsh landscape that deters crossings.

‘Is this Mexico, or is it the United States?” comments Lebart. “It is often impossible to distinguish one side from the other. But Pablo López Luz’s images systematically reveal a key identifying feature: the presence of a road running along the border, used by the US Border Patrol for surveillance.'”

 


 

an embarrassment at Oxford

 

oxford woman cleaner

The Daily Telegraph reports that “The University of Oxford has apologised after an image of a female cleaner being made to clear a message reading “Happy International Women’s Day” was shared on Twitter by a professor.

Oxford Associate Professor of Political theory, Dr Sophie Smith, tweeted the photograph, writing: “Oxford security makes a woman cleaner scrub out ‘Happy International Women’s Day’ on the Clarendon steps. What an image for #IWD, @UniofOxford.”

Sometimes a picture is worth a thousand words …


 

South London comes to the Big Apple

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New York was recently invaded by South London, mostly not white.  “The concert – a showcase of British jazz held at downtown club Le Poisson Rouge – was America’s introduction to a small but mighty group of young musicians who during the past three years have helped turned South London into a new jazz epicenter,” reports Rolling Stone.  “There was tenor saxophonist Shabaka Hutchings, at 33 the scene’s elder statesman … Also on tenor was Nubya Garcia, whose quartet embraced classic postbop, but with a fiery group interplay that transcended rote chorus-solos-chorus structures …

“It’s a strange word, ‘jazz,'” Hutchings tells Rolling Stone two days after the showcase, when asked if he’d describe his own music that way. Born in London but raised in his parents’ native Barbados, Hutchings picked up the clarinet at nine, practicing it by mimicking the flows of Nas, Biggie and Tupac verses he was hearing on American radio, and the hyper rhythms of the local Carnival, before returning to England to receive a classical-music degree on the instrument … “The people I revere as master jazz musicians have said they don’t want the word,” he continues. “It’s limiting. It tells them more what they can’t be than what they can. So – do I consider myself a musician who is limited?”

Like Hutchings, his younger colleagues – first- and second-generation Afro-Caribbean immigrants, multi-hyphenated in their cultural backgrounds and in their music – uniformly reject a narrow definition of their chosen style. London’s sound is less a riff on classic African-American jazz than a polyglot party music of the city’s minorities – with calypso and dub, grime and Afrobeat as much its building blocks as Coltrane’s ‘Giant Steps.'”  Long live multiculturalism.


 

an embarrassment at Cambridge

Oxford’s faux pas brought to mind slightly older news from Cambridge, which I didn’t post here at the time because other things crowded it out that week.

Commenting on the Oxfam Haiti scandal, Cambridge Professor of Classics and well-known media personality about town Mary Beard caused uproar when she tweeted:  “I do wonder how hard it must be to sustain ‘civilised’ values in a disaster zone.”  She made things worse on a follow-up post on her regular TLS blog “A Don’s Life,” where she drew an unfortunate analogy between aid workers in Haiti and the boys abandoned on a desert island in William Golding’s Lord of the Flies.  She later tweeted an image of herself in tears, saying “I am really not the nasty colonialist you say I am” …

In a public response, Cambridge English lecturer Priyamvada Gopal urged Beard “to rethink the problematic concept of a ‘disaster zone’ (Trump was more upfront — he called them ‘shitholes’) and what that really means in geopolitical terms in terms of who does what and who is responsible for their appearance as spaces of catastrophe. Still more troubling,” she continued, “is your notion that moral bearings (‘civilised values’!) understandably disappear in spaces where people struggle with the worst things that can happen to human beings.”   She described Beard’s tweet as symptomatic of the culture at Cambridge “where there is little direct abuse but plenty of genteel and patrician casual racism passing as frank and well-meaning observations …”

Gopal got a lot of flak for daring to call out “a national treasure,” including a dressing-down from Times columnist David Aaronovitch, who accused her of being “a privileged Oxbridge academic shivving a colleague.”

 


 

sign the brexit papers!

nottingham trent
Photograph: Fabio de Paolo/Fabio De Paola

Rufaro Chisango, a student at Nottingham Trent University, posted a video on Wednesday in which a group of men can be heard chanting outside her student dorm room “we hate the blacks” and “sign the Brexit papers,” reports the Guardian.

“Words cannot describe how sad this makes me feel, in this, 2018, people think this is still acceptable,” she wrote on Twitter …

In the footage, a group of men can be heard chanting “ooh-aah, fuck the blacks”, “we hate the blacks” and “sign the Brexit papers”.  Chisango said the video did not catch other phrases the men shouted, such as “blacks would go back to picking cotton”. She wrote on Twitter: “I’m the only black person on my floor and they were chanting this outside my door, so don’t be surprised to why I didn’t leave my room.”

Nottingham Trent was named University of the Year in the 2017 Times Higher Education awards, and Modern University of the Year in the 2018 Times and Sunday Times awards.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

henna, Syria, and the Muslim ban

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“The night the United States launches fifty Tomahawk missiles on the Syrian Shayrat airbase near Homs, I am washing henna and indigo out of my hair. The tub is splashed with tourmaline blue, speckled like the delicate markings on a sparrow’s egg, and from the living room I can hear the newscasters referring to margin of error, airpower, and the “perils of the region.” The water runs down the drain.

When I was little, I used to pore over the photo albums of my parents’ wedding and their honeymoon in Syria, tracing the shots of my cousins and aunts and great-grandparents lined up in the courtyard for family photos, dozens of demitasses of Turkish coffee and laughter over backgammon. How young and strong my father still looked in the eighties, fifteen years before the doctors saw a constellation of powdered glass strewn across the wide basin of his lungs.

The reporter drones on, and the night bursts open on the other side of the world. I squeeze the last of the muddy water from my hair, riming my fingernails with blue …”

The beginning of Jennifer Zeynab Joukhadar‘s stunningly beautiful, sad, and angry essay in the Paris Review on being the child of Syrian immigrants, born in America.


 

the bros of UC Berkeley IT

berkeleygro_featured

 

“… the red flags started to pop up almost immediately. Even before she started. Several of her soon-to-be coworkers suggested her mid-day interview be moved to a restaurant where they could get beer. It was a preview of a culture where employees would go out drinking every night, which lead to hostile treatment of women if they went, and ostracization if they didn’t, according to multiple sources, including three of the women who worked at EEI, Sarah Fernandez, Zoey Lin, and [Vanessa] Kaskiris …

They were belittled, the men rolled their eyes and texted when they talked in meetings, they were criticized for not being “technical” enough, they were kept off the most challenging and high profile projects, stuck with the work that no one else wanted to, saddled with marketing and PR work. There were jokes about periods and childbirth. When Fernandez had made her case that she deserved a raise, the men in the team found out about it and ostracized her, refusing to sit on the same side of table with her in meetings. Men sabotaged these women’s work by refusing to grant them technical permissions, or putting up other roadblocks. They were called names like “little girl” if they were too feminine or criticized for having “too much testosterone” if they tried to be one of the guys …”

Kaskiris took them to Berkeley’s Office for Prevention of Harassment and Discrimination, who agreed that the University IT department had “created a hostile work environment, based on gender” in violation of both Berkeley’s own rules and the discrimination protections of the U.S. Department of Education and the Civil Rights Act.

Five days later Kaskiris was laid off “due to mandatory budget cuts.”  A chilling story of sexism at the “home of free speech,” told in all its nasty bro by bro detail by Sarah Lacy.


 

plus ça change, plus c’est la même chose

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“A French state prosecutor has opened an inquiry into incitement to racial hatred after the selection of a mixed-race teenager to play the folk heroine Joan of Arc in annual festivities in Orléans was met with racist abuse from far-right users of social media,” reports the Guardian.  Seventeen-year-old Mathilde Edey Gamassou’s mother is Polish and her father is from Benin.

“Joan of Arc was white,” read one Twitter post. “We are white and proud of being white, don’t change our history.”

Another comment, on the anti-Muslim site Resistance Republicaine, complained: “Next year, Joan of Arc will be in a burqa.”


 

British values

 

Dazed & Confused reports: “Yarl’s Wood Immigration Removal Centre has long been infamous for its indefinite detention of women seeking asylum in the UK. Since Wednesday, 120 women detained have been on hunger strike to protest the issues they say they are facing – from the “detention of people who came to the UK as children” to “systematic torture”.

A Home Office spokesperson told The Independent: “Detention and removal are essential parts of effective immigration controls, especially in support for the removal of those with no lawful basis to stay in the UK.

“We take the welfare of our detainees very seriously and any detainees who choose to refuse food and fluid are closely monitored by on site healthcare professionals.”

Asked what he thought of western civilization, Mahatma Gandhi is said to have responded “I think it would be a good idea.”

 


 

hard facts

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Cabrini Green housing project, photo from Halley Miglietta, Ceilings of Oppressions series

“Fifty years after the historic Kerner Commission identified ‘white racism’ as the key cause of ‘pervasive discrimination in employment, education and housing,'” writes Tracy Jan in the Washington Post, “there has been no progress in how African Americans fare in comparison to whites when it comes to homeownership, unemployment and incarceration, according to a report released Monday by the Economic Policy Institute.

In some cases, African Americans are worse off today than they were before the civil rights movement culminated in laws barring housing and voter discrimination, as well as racial segregation …

The share of incarcerated African Americans has nearly tripled between 1968 and 2016 — one of the largest and most depressing developments in the past 50 years, especially for black men, researchers said.  African Americans are 6.4 times as likely than whites to be jailed or imprisoned, compared with 5.4 times as likely in 1968.”

As I said, plus ça change, plus c’est la même chose.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

white middle class

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Photo Eric Thayer for the New York Times

“Though class divisions are a frequent topic for [big-city newspaper columnists], little attention is paid to seemingly important factors like income, access to basic services and the intersections between class and race. Instead, pundits choose to focus entirely on superficial cultural differences and consumer choices. The result is a constant stream of patronizing paeans to a mythical rural America and bizarre, half-baked theories that replace sociology with observations about which restaurants people go to …

This kind of misguided prejudice is also apparent in liberal circles. A few months ago, Keith Olbermann, the unofficial head of the #Resistance, criticized Trump for hosting Sarah Palin, Ted Nugent, and Kid Rock at the White House, whom he called “trailer park trash.” Classism aside, Olbermann fell into the same trap … he saw white people with bad fashion sense and assumed they must dwell at the bottom of the social hierarchy. Obviously, all three of Trump’s guests are now multimillionaires, but even pre-fame they were far removed from poverty. Sarah Palin’s hometown of Wasilla, Alaska is a suburb of Anchorage; her father was a science teacher and she enrolled in a four-year college immediately after high school. Ted Nugent was raised in the Chicago suburbs; Kid Rock the Detroit suburbs, where he grew up in a home that was recently put on the market for $1.3 million. Palin, Nugent, and Rock are exactly who the statistics show propelled Trump to victory — the comfortable white middle class.”

Sharp essay by Alex Nichols from July 2017.


 

all my mirrors of belonging have cracked

han suyin

“With my first book, and as I worked, much harder, on the next, a slow unravelling of our tie began. As my own sense of a place in the world grew, I could no longer understand her passion for China with quite the sympathy I once had. She refused to see both sides of the story after the Tianamen disaster, and created a counter-narrative. For years I held her intransigence responsible for the unravelling tie, but I can see now how I wanted her be who she no longer wanted to be. I wanted her to return to writing introspective fiction. I wanted her to be the cosmopolitan New Asian she’d been in her prime, not an apologist for a duplicitous regime or an old-style Chinese conservative. I wanted her to admit to feelings of exile and loss, while I still followed the party line she handed me: We are not divided. We are multiple. There is no unbelonging. There are no borders.

And yet if she hadn’t had to work through the dilemmas of dispossession there would have been no public persona, no sweeping statements, no grande dame of the Chinese Revolution. But that was her public role. The Suyin I knew had left home long, long ago and could only inhabit temporary shelters. Even the language she wrote in was her third. Suyin admitted to crushing loss. Suyin survived it all. Suyin was a superlative.

Even in our wholeness there are fractures. I’d compose letters to her:

‘Suyin, there are divisions. There are – to use one of your favourite words – contradictions. Contested belongings. No composites, no continuous wholeness: only an illusion, a yearning, a longing.

I never wrote them or if I did I left them unsent.”

Aamer Hussain writes in Granta on his friendship with Han Suyin.


 

identity politics

no man's land

“When the ban happened, it was like I was stripped away from being able to call myself American. It was a wake up call, and I felt like all I had left was Sudan – but it felt out of reach, like grasping for something while every inch of your body tries to pull you back. In the wake of that, traveling back to Sudan was different. This time, I didn’t want to leave. Lately, I’ve been having thoughts about what life would look like for me, had my parents never immigrated. I’m a Muslim American straddling the fine line between being too black and not black enough, too Muslim and not Muslim enough, too Arab and not Arab enough. This fluid sense of mis-identity has become my identity.

I’ve never lived in a place where I felt like I was a part of the majority, where I didn’t have to worry about taking up space. I love Sudan, but deep down I know it will never be for me what it is for my parents. America won’t either. If you asked me today to choose between the two I don’t know what I would say. I guess I’m accepting that I will forever be in this space of falsified identity. In limbo. The Trump ban forced me to reexamine my role as a Sudanese American. It reminded me that freedom will forever be a fleeting notion.”

Nadra Widatalla writes in Dazed and Confused on what Trump’s “Muslim Ban” means to her.


 

Nikesh Shuckla takes the last train home

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It’s late and I’m on a train back to Bristol. I’ve just done a talk about a book I worked on, about race and immigration and I’m wearing the name of the book – The Good Immigrant – across my sweatshirt.

It’s late and I’ve spent the evening talking at people, so I’ve bought myself a burger and a beer to keep me company on the two-hour journey home.

The train is packed until Reading, as it always is, and then deathly quiet. Bored and with a need to stay awake, I put on a crap Jason Statham film, perfect company for the long journey. The action-packed thrills will keep me awake because if I fall asleep and miss my stop, I’m ending up in Swansea.

The further the train gets from London, the more it empties out. I don’t really notice it at first. I’m too engrossed in the film.

Around Swindon, three men get on the carriage shouting loudly. They sit around me and talk. I realise, looking at them, and around, and up from my Jason Statham film, that the carriage is empty, except for me and for them. They are carrying beer cans and talking in that high octave slur that carries most lads home from the pub after closing time. One of them looks at me and my sweatshirt then gets up and moves closer.

As he stands, he says: “There’s no such thing as a good immigrant” …


 

Friday night lights in the era of BLM

KIPP Gaston School

“I am so pissed this morning,” began a soon-to-be viral Facebook post. “KIPP Gaston College prep is trying to make my granddaughter kneel for the national anthem at the football game Friday night.”

It was the tail end of September 2017, past the midway point of the most politically charged year since the last one, and President Trump had just ignited a national controversy over NFL players kneeling during the national anthem. In an act of Twitter jujitsu, Trump turned Colin Kaepernick’s protest against social injustice into a referendum on patriotism, the military and the flag, opening the latest front in his ongoing culture war.

Now the battle had come to a charter school in rural North Carolina. For a few hours on social media, the national debate over Kaepernick’s protest movement exploded inside one school in a small town, exposing how the polarized politics of the Trump era have trickled from Washington DC down into America’s communities …”

A long read and a salutary one.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

Signs of the times

signoftimes

 

DO WHAT YOU WILL

I am Muslim, register me.

I am Mexican, deport me.

I am African American, imprison me.

I am LGBT, refuse to serve me.

I am poor, blame me.

I am elderly, privatize me.

I am woman, defund me.

I am homeless, ignore me.

I am disabled, bully me.

I am sick, uninsure me.

I am indigenous, pollute me.

I am a veteran, voucher me.

I am an American, lie to me.

AUTHOR UNKNOWN


lorde

Rejoice! Our times are intolerable. Take coverage for the worst is a harbinger of the best. Only dire circumstance can precipitate the overthrow of oppressors. The old and corrupt must be laid to waste before the just can triumph. Contradiction will be heightened. The reckoning will be hastened by the staging of seed disturbances. The apocalypse will blossom.

AUTHOR: Jenny Holzer   WEARER OF THE DRESS: Lorde

“Lorde’s message comes amid reports that she declined to perform at this year’s Grammys because the show’s organizers refused to offer her a solo performance, as they did the other, male Album of the Year nominees. She also notably skipped the red carpet.”


 

beyonce-formation-lyricsImage from Randi Bryant, Beyonce’s Letter to You about “Formation,” at Beatnik24

Dozens of artists came to the Grammys wearing white roses in solidarity with Time’s Up and sexual misconduct victims. But that spirit of female empowerment wasn’t reflected in this year’s winners, nor in remarks made by Recording Academy president Neil Portnow, who suggested that if women wish to collect more golden gramophones moving forward, they need to double down on their efforts.

“I think it has to begin with women who have the creativity in their hearts and their souls — who want to be musicians, who want to be engineers, who want to be producers, who want to be part of the industry on an executive level — to step up, because I think they would be welcome,” Portnow told journalists backstage after the show.

Step up, Neil? Creativity in their hearts and their souls, Neil?  Where were you in 2015 when Beck’s “Morning Phase” won Album of the Year ahead of Beyonce’s “Beyonce” and in 2017 when Adele’s “25” won Album of the Year ahead of Beyonce’s “Lemonade“?

Adele herself said on stage: “I can’t possibly accept this award. And I’m very humbled and I’m very grateful and gracious. But my artist of my life is Beyoncé. And this album to me, the “Lemonade” album, is just so monumental. Beyoncé, it’s so monumental. And so well thought out, and so beautiful and soul-baring and we all got to see another side to you that you don’t always let us see. And we appreciate that. And all us artists here adore you. You are our light.”

 


 

trump shithole projection

Trump International Hotel, Washington D.C.  The artist was Robin Bell, but the inspiration comes from Jenny Holzer.


 

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Jenny Holzer, projection, Washington, D.C., 2004


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

Havel-na-podiu-v-Lipnici-3.9.1988-1

 

“Years ago we saw No-Man’s-Land, in a film, and because the film took place in 1918, we thought, fools that we were, that it was past history.  We went home from the cinema with a feeling of pride in the free radiant future toward which the people of today walk hand in hand.  At that time we had not yet experienced the strange twists and turns, the detours, dead ends, blind alleys, that history creates” (Milena Jesenská, “In No-Man’s-Land,” Přítomnost [The Present], 29 December 1938; translated by A. G. Brain, in Jana Černá, Kafka’s Milena, Northwestern University Press, 1993, p. 201).

Three months later Czechoslovakia was dismembered and Bohemia and Moravia invaded by Hitler’s Wehrmacht and turned into a Protectorate of the Third Reich.  Milena Jesenská was arrested in November 1939.  She died in Ravensbrück concentration camp in May 1943.

Today, almost 100 years after Czechoslovakia declared independence from Austria-Hungary and 28 years after the Velvet Revolution, Czech history veers off down another inimitably Czech country lane.

Miloš Zeman, who has warned that if the Czech Republic accepts more refugees from Syria (currently it has admitted a grand total of 12) “unfaithful women will be stoned, thieves will have their hands cut off and we will be deprived of the beauty of women, since they will be veiled” was re-elected as President of the Czech Republic.  At least the margin of victory was narrow (51.36% to Jiří Drahoš’s 48.63%) and the major cities of Prague, Brno and Plzen turned out in force for Drahoš.

Moral: history is never past.  Good thing Václav Havel appreciated the absurd.

Making America White Again

safactnumbers

House Republicans have introduced the Securing America’s Future Act (H.R. 4760). The bill would institute the most severe restriction on legal immigrants since the 1920s.

H.R. 4760 would reduce the number of legal immigrants by more than 420,000, or 38 percent, in 2019. The bill has much in common with a Trump-endorsed bill in the Senate—the RAISE Act (S. 1720)—that would reduce the entry of legal immigrants by more than 470,000, or 43 percent, in 2019. Each would further reduce legal immigration over time.

Both bills would end the diversity green card lottery and ban the entry of all legal immigrants sponsored by U.S. family members, except for spouses and minor children of U.S. citizens. Lawful permanent residents would no longer be able to bring in spouses or children. The RAISE Act would also reduce the age at which U.S. citizens can sponsor minor children from 21 to 18, while the House bill would roughly halve the number of asylees. Both bills immediately cancel applications for millions of people who have waited years to become legal immigrants.

MAGA, y’all!


 

You go, girl!

aly reisman.png

“Last Friday, the multiple gold medal‑winning US gymnast Aly Raisman delivered an electrifyingly powerful victim statement at the sentencing hearing of the former US gymnastics doctor Larry Nassar. If you haven’t watched it, I recommend you take the time. For any 23-year-old to speak with such intensity, poise and control would be remarkable; to do so directly to her sexual abuser in a packed courtroom under the gaze of the cameras is of a radically different order …” (Marina Hyde in the Guardian).  I couldn’t agree more.


 

stay classy, boys

pc_dinner

Meantime in Britain, where they find Donald Trump awfully vulgar, a “charity fund-raiser” takes place at the Dorchester Hotel.

“It is for men only. A black tie evening, Thursday’s event was attended by 360 figures from British business, politics and finance and the entertainment included 130 specially hired hostesses. All of the women were told to wear skimpy black outfits with matching underwear and high heels. At an after-party many hostesses — some of them students earning extra cash — were groped, sexually harassed and propositioned … Hostesses reported men repeatedly putting hands up their skirts; one said an attendee had exposed his penis to her during the evening.”

Among the guests was Nadhim Zahawi, undersecretary of state for children and families.

Time for the tumbrils?


 

dear white people

usa-missouri_shooting-protests2.jpg

S. T. Holloway very lucidly explains “why this black girl will not be returning to the women’s march”:

“In 2014, I, along with several hundred other people, marched in protest against the shooting of Ezell Ford, an unarmed black man killed by the Los Angeles police just days after the killing of 18-year-old Michael Brown in Ferguson, Missouri. And whereas the Women’s March felt like a mosh pit, the Ford protest felt more like an empty parking lot, with protesters walking freely down open streets alongside normal traffic, their movements unrestricted by a voluminous crowd.

While there were certainly some white allies present joining their voices in solidarity, noticeably absent from the Ford protest were the throngs of white women I saw at the Women’s March: the soccer moms, the college students, the housewives with their children in tow, the grandmothers, the career women, the retirees and so on.

Instead, the majority of those present were the regulars, black and brown folks, and in particular, women. On that day, as we have before and have since, we found ourselves alone in our pain. We found ourselves alone in our pleas and cries for justice, for the end to the killing of our children and husbands and fathers and brothers, for the cessation of the systematic dismantling of our families, and for recognition that our lives and the lives of the ones we love do matter.

This willful blind eye, this deliberate ignorance, fosters a culture where millions protest when white women’s access to health care is threatened, but when black maternal death rates in the United States are on par with women in countries like Mexico and Uzbekistan, there is no national outrage or call for reform or worldwide protest.”

Weird.


 

a messy and chaotic mind

zadie smith

“I don’t think of myself as a contrarian. I’m useless at confrontation. But I also can’t stand dogma, lazy ideas, catchphrases, group-think, illogic, pathos disguised as logos, shoutiness, ad hominem attacks, bombast, liberal piety, conservative pomposity, ideologues, essentialists, technocrats, preachers, fanatics, cheerleaders or bullies. Like everybody, I am often guilty of some version of all of the above, but I do think the job of writing is to at least try and minimise that sort of thing as much as you can.”

The wise and wonderful Zadie Smith answers questions from Teju Cole and other fans on the occasion of the publication of her new book of essays Feel Free.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

 

Vic Mensa: What Palestine Taught Me About American Racism

banksy-israel-wall-620x350

 

“For once in my life I didn’t feel like the nigger. As I sat comfortably at a coffee shop, gawking at a group of Israeli soldiers harassing a Palestinian teenager, it was clear who was the nigger. My American passport, ironically, had awarded me a higher position in the social hierarchy of Jerusalem than it did in my hometown of Chicago.”

His debut album The Autobiography is pretty stunning, too.


 

Key findings about U.S. immigrants

trump-moments-08-gty-jrl-171107_4x3_992

 

By way of background to what nowadays passes for politics in the United States (or should I say United Shitholes?) of America.

The U.S. foreign-born population reached a record 43.2 million in 2015.  Immigrants today account for 13.4% of the U.S. population, nearly triple the share (4.7%) in 1970. However, today’s immigrant share remains below the record 14.8% share in 1890, when 9.2 million immigrants lived in the U.S.

Useful data from the Pew Research Center.  In snowflake Canada, by way of comparison, the foreign-born population was 20.6% in 2011 Census.  The sky hasn’t fallen yet (and the food choices get better by the year).


 

Sense and sensitivity

3000

“After the 10th or so person sent me the stunningly silly anti-#MeToo letter signed by Catherine Deneuve and a hundred other French women (the actual authorship of which we’ll get to), informing me that I’d love it because finally someone was standing up for sanity, I considered a form letter response: ‘If the question is whether #MeToo has gone too far or not far enough, the answer is obviously BOTH. Putting yourself on one side or the other is politically obtuse.'”

Thank you Laura Kipnis.  Pissing off all sides, as usual.  Both/and rather than either/or.  Courage, subtlety, and intellect, very well worth the long read.


 

Mary Shelley’s Frankenstein at 200

my fair lady

But Frankenstein is no memoir. The question it asks, “How far is too far?”, is at the very heart of modernity. The Romantics, Mary among them, “leaned in” to progress … Published early in this classical era of modernity, Mary’s novel still helps us define its terms today. Shorthand for the way we experience ourselves within a world of increasing man-made complexity, “modernity” is both positive and negative, signalling hope for progress as well as our fear of change. Frankenstein identifies the mismatch between human experience and what we are expected to become as technology and science advance.  (Fiona Sampson, on her new book on Mary Shelley).

“It is the migrant, the refugee, and the Muslim that have become the poor lone impossible monsters abhorr’d of our time, the nameless figures of terror against whom we must circle our wagons and strengthen our walls.  It is salutary how quickly Helena’s sympathy for the robots [in Karel Čapek’s play R.U.R.] turns to disgust once she learns they are not “just like me”—once, that is to say, they have been convincingly Othered, cast outside the pale of the League of Humanity.  “Oh, stop!  At least send them out of the room!” she begs.  In this respect R.U.R. is a more pertinent text for our times than Frankenstein, because of its grasp of this dialectic of resemblance and alterity, attraction and repulsion, fascination and fear. We can send them out of the room but the suspicion of their humanity can never be exorcized.  It eternally returns to haunt us, pricking the collective conscience—in the image of a three-year-old Syrian boy in blue shorts and red top lying face down, drowned, on a Greek beach, for instance, or in the blank, uncomprehending face of a black man who cannot believe he lost all his fingers to frostbite while trying to walk from North Dakota to Manitoba.  The more we can’t get them out of our heads, the more we wish they would just go away.  Make it stop!  Do I hear murmurings of a Final Solution?  We have been here before, and it wasn’t in 1816.”  My take on why Shelley’s astonishing novel still matters.


 

Nonsense and insensitivity

methode-times-prod-web-bin-c4ff3282-f6e7-11e7-a789-003e705b951e

London’s oldest strip club, the Windmill Theater in Soho, has lost its license after a women’s rights group hired private detectives to gather evidence that the venue broke a ban on physical contact between dancers and clients.  Stacey Clare is a stripper, performance artist, writer, activist and co-founding member of the East London Strippers Collective.  She writes:

“Closing down a venue may feel like a victory to those who champion the abolition of the industry, but taking work away from women relying on it is tantamount to taking food from our mouths. Thousands of girls who otherwise have less value in the wider job market (foreign nationals, single mums, anyone with any sort of disadvantaged background) are turning to stripping and other forms of sex work to survive. According to the English Collective of Prostitutes, record numbers have moved into the sex industry under austerity, which disproportionately affects women, particularly single mothers. In fact, putting women out of work is about the most un-feminist thing possible …

Their [feminist anti-strip club campaigners’] cloak and dagger tactics reveal the kind of attitude women’s rights campaigners have towards us, the women at the centre of this issue – that we, the ‘victims’, cannot be trusted to have a say in the matter so decisions must be made on our behalf, rather than consult with us directly.”

The infernal problem of false consciousness, aka I know what’s good for you better than you do, dear.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

 

Roads to nowhere

Lower Manhattan Expwy

 

The postwar passion for highway construction saw cities around the world carved up in the name of progress. But as communities fought back many schemes were abandoned – their half-built traces showing what might have been.

Among others: the Lower Manhattan Expressway, New York; Spadina Expressway, Toronto; Marina Freeway, L.A.; Glasgow Inner Ring Road (Charing Cross); Plan Pompidou, Paris; Olympyka highway, Poland; Borovsko Bridge, Czech Republic.


 

Modern cruelty 1 (Making America Great Again)

saalvadorans expelled

 

 

Nearly 200,000 people from El Salvador who have been allowed to live in the United States for more than a decade must leave the country, government officials announced Monday. It is the Trump administration’s latest reversal of years of immigration policies and one of the most consequential to date.

Homeland security officials said that they were ending a humanitarian program, known as Temporary Protected Status, for Salvadorans who have been allowed to live and work legally in the United States since a pair of devastating earthquakes struck their country in 2001.


 

Concerto Al Quds

adonis-450x250

A man who loves his shackles,
a wife fully veiled,
a girl wearing a headscarf,
and halal meat.
A hotel, a restaurant, a coffee shop, a graveyard.

Donald Trump recently and controversially announced that the United States would recognize Jerusalem as the capital of Israel, the seemingly endless debate over the city and the possibility of a two-state solution between Israel and Palestine flared up again in the headlines. Coincidentally, recent weeks have also seen the publication of Concerto al-Quds, a book-length poem meditating on the history and fate of Jerusalem, from the renowned poet Adonis.


 

Modern cruelty 2 (England for the English aka Taking Back Control)

icilda williams

‘I cry most days.’

An 83-year-old widowed nurse who worked for the NHS for 30 years before retiring to Jamaica has had multiple requests to visit her family in the UK refused, despite drawing an NHS pension and a full British state pension.

Icilda Williams moved to the UK from Jamaica with her husband in 1962. Both were Commonwealth citizens and British subjects. The couple bought a house in Bradford, had children there – all of whom are British passport holders – and Williams devoted her life to caring for mentally ill children in two local hospitals.


 

My skin is contraband

Cookie-visits-Lucious-Terrence-Howard-prison

“I pull on a long black-and-white mottled skirt, a black t-shirt, and black flats. Each of these items of clothing is carefully considered. The skirt covers my legs and tattoos. The shirt is loose, but not too loose, and covers other tattoos. The shoes are unlikely to set off the metal detector. It’s 65 degrees out and so I risk a light sweater. Here I might run into problems. It’s voluminous and has a cowl neck, both of which might raise suspicions that I’m smuggling in contraband. It also has a meshed back which, though I’m wearing a shirt under it, may still be too suggestive of the possibility of seeing flesh that it will be nixed …”

A woman dresses for a prison visit.  A remarkable essay by Tiffany D. Vann Sprecher.


 

Modern cruelty 3 (Making America the Greatest Ever, Baby)

visa denial letters

Five-year-old Gamila Almansoob has asked the same question for years: “When are we going to daddy?” Each time, the Yemeni girl’s mother gives the same reply: “When we get the paperwork.”

Gamila’s father, Ramy Almansoob, a US citizen, moved to Virginia in 2015 with the hopes that his wife and three daughters could soon follow and escape their war-torn home country. After a lengthy vetting process, the visas were approved on 4 December 2017. That same day, however, the US supreme court ruled that Donald Trump’s travel ban on six Muslim-majority countries, including Yemen, could go into effect.

 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.