This set of texts and images was part of an exhibition titled EX SITU: (Un)making Space out of Place that led to a photobook of the same title.  The exhibition was convened and the photobook edited by Craig Campbell and Yoke-Sum Wong.  

EX SITU was part of a series of international workshops/events held over the last five years in the US, UK, Germany, and Greece involving art and media practitioners, academics, and research students from different disciplinary backgrounds. These meetings have led to an anthology of essays, Feelings of Structure: Explorations in Affect (McGill-Queens University Press) co-edited by Karen Engle and Yoke-Sum Wong.

All participants in the EX SITU exhibition/photobook were asked to couple up to six images with the same number of texts, each of no more than 100 words, on any topic of their choice.  I shot the photographs in Athens, Greece in 2016.  The original photobook layout with text and image side by side can be downloaded here.

I found the form an interesting one to work with.  My intention was to set up layers of open-ended resonance and signification within a limited group of texts and images, rather than have the images simply illustrate the texts or the texts caption the images.  I wanted to convey something of what Milan Kundera calls “the density of unexpected encounters.”

I am posting this work now in eager anticipation of the latest in this series of events, the  STRUCTURES OF ANTICIPATION research creation symposium at the University of Windsor, Ontario.


 

1  athens_bank

athens1 bank

Greece’s government has said the country is “turning a page” after Eurozone member states reached an agreement on the final elements of a plan to make its massive debt pile more manageable.

The government spokesman, Dimitris Tzanakopoulos, hailed “a historic decision” that meant “the Greek people can smile again.”

The government in Athens will have to stick to austerity measures and reforms, including high budget surpluses, for more than 40 years. Adherence will be monitored quarterly.

Guardian, June 22, 2018


 

2  athens_bey

athens2 beyonce

The latest video by the Carters, a.k.a. Beyoncé and Jay-Z, is a treat. Filmed in the Louvre, “Apesh-t” begins with close-ups of various old master paintings. A bell tolls atmospherically.

And then, out of nowhere, comes a moment of pure swagger.

Beyoncé and Jay-Z, sumptuously dressed, stare out diffidently, like a royal couple posing for a baroque marriage portrait. Behind them, out of focus, is the Mona Lisa. The gallery (which was once, of course, a royal palace) is otherwise empty.

Washington Post, June 19, 2018


 

3  athens_aesthetics

athens3 aesthetics

Note: the word in Greek letters in the top left of the photo reads: “AESTHETICS.”

Origin Late 18th century (in the sense ‘relating to perception by the senses’): from Greek aisthētikos, from aisthēta ‘perceptible things’, from aisthesthai ‘perceive.’ The sense ‘concerned with beauty’ was coined in German in the mid-18th century and adopted into English in the early 19th century, but its use was controversial until much later in the century.

Oxford Dictionaries


 

4  athens_caryatids

athens4 caryatids

45, Asomaton Str.

The residence with the caryatids in Kerameikos has been cherished like no other not only by the Athenians, but also by the city’s visitors … When the French photojournalist Henri Cartier-Bresson visited Athens in the 50s, he “captured” two spry old ladies dressed in black, walking under the shadow of the lissome and proud silhouettes of the caryatids. The contrast of the black and white figures, of motion and stillness, of decay and eternal beauty, created a powerful picture, one of Bresson’s most representative.

Tina Kontogiannopoulo, Streets of Athens blog


 

5  athens_magritte

athens5 magritte

The first version, that of 1926 I believe: a carefully drawn pipe, and underneath it (handwritten in a steady, painstaking, artificial script, a script from the convent, like that found heading the notebooks of schoolboys, or on a blackboard after an object lesson!), this note: “This is not a pipe.”

The other version—the last, I assume—can be found in Aube à l’Antipodes. The same pipe, same statement, same handwriting. But instead of being juxtaposed in a neutral, limitless, unspecified space, the text and the figure are set within a frame.

Michel Foucault, This Is Not a Pipe


 

6  athens_museum

athens6 museum

The definition of a museum has evolved, in line with developments in society. Since its creation in 1946, ICOM updates this definition in accordance with the realities of the global museum community.

According to the ICOM Statutes, adopted by the 22nd General Assembly in Vienna, Austria on August 24th, 2007:

“A museum is a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study and enjoyment.”

ICOM website


 

 

 

Ivan Margolius, author of “Reflections of Prague: Journeys through the 20th Century” and “Prague: A Guide to 20th Century Architecture”
“There is no visitor to Prague who is not enchanted by this city.  Prague has everything: the ancient and the modern, the history and the culture, the music and the tranquility, the contradictions and the harmony.  Derek Sayer’s excellent book captures all of these facets of Prague to make any visit even more worthwhile.”
Jindrich Toman, University of Michigan
“Meticulous, imaginative, unconventional—all the way from old palaces to Little Hanoi.”

 


prague-22

I have long wanted to write a non-academic book on Prague that would both provide a readable short history of the city and act as a guide to visitors who might be interested in more than just the standard tourist trail.  When I was approached by Reaktion Books to write on Prague for their excellent Cityscopes series, I jumped at the opportunity.   This is the result.  Out this month.  It was fun to write, and I hope it serves its purpose.


Publisher’s description

Thirty years ago, Prague was a closed book to most travelers.  Today, it is Europe’s fifth-most-visited city, surpassed only by London, Paris, Istanbul, and Rome.  With a stunning natural setting on the Vltava river and featuring a spectacular architectural potpourri of everything from Romanesque rotundas to gothic towers, Renaissance palaces, Baroque churches, art nouveau cafés, and cubist apartment buildings, Prague may well be Europe’s most beautiful capital city.

But behind this beauty lies a turbulent and often violent history, and in this book, Derek Sayer explores both.  Located at the uneasy center of the continent, Prague has been a crossroads of cultures for more than a millennium.  From the religious wars of the middle ages and the nationalist struggles of the nineteenth century to the modern conflicts of fascism, communism, and democracy, Prague’s history is the history of the forces that have shaped Europe.

Sayer also goes beyond the complexities of Prague’s colorful past: his expert, very readable, and exquisitely illustrated guide helps us to see what Prague is today.  He not only provides listings of what to see, hear, and do and where to eat, drink, and shop, but also offers deep personal reflection on the sides of Prague tourists seldom see, from a model interwar modernist villa colony to Europe’s biggest Vietnamese market.

Hardback, 280 pages, 105 illustrations, 71 in color.


Availability
Published by Reaktion Books (UK) and Chicago University Press (in North America).
Available from amazon.co.uk (£12.45) and amazon.com ($22.00).
Preview (including Table of Contents and Prologue) here.


henna, Syria, and the Muslim ban

tinacase_headshot_joukhadar_oct2017.png

“The night the United States launches fifty Tomahawk missiles on the Syrian Shayrat airbase near Homs, I am washing henna and indigo out of my hair. The tub is splashed with tourmaline blue, speckled like the delicate markings on a sparrow’s egg, and from the living room I can hear the newscasters referring to margin of error, airpower, and the “perils of the region.” The water runs down the drain.

When I was little, I used to pore over the photo albums of my parents’ wedding and their honeymoon in Syria, tracing the shots of my cousins and aunts and great-grandparents lined up in the courtyard for family photos, dozens of demitasses of Turkish coffee and laughter over backgammon. How young and strong my father still looked in the eighties, fifteen years before the doctors saw a constellation of powdered glass strewn across the wide basin of his lungs.

The reporter drones on, and the night bursts open on the other side of the world. I squeeze the last of the muddy water from my hair, riming my fingernails with blue …”

The beginning of Jennifer Zeynab Joukhadar‘s stunningly beautiful, sad, and angry essay in the Paris Review on being the child of Syrian immigrants, born in America.


 

the bros of UC Berkeley IT

berkeleygro_featured

 

“… the red flags started to pop up almost immediately. Even before she started. Several of her soon-to-be coworkers suggested her mid-day interview be moved to a restaurant where they could get beer. It was a preview of a culture where employees would go out drinking every night, which lead to hostile treatment of women if they went, and ostracization if they didn’t, according to multiple sources, including three of the women who worked at EEI, Sarah Fernandez, Zoey Lin, and [Vanessa] Kaskiris …

They were belittled, the men rolled their eyes and texted when they talked in meetings, they were criticized for not being “technical” enough, they were kept off the most challenging and high profile projects, stuck with the work that no one else wanted to, saddled with marketing and PR work. There were jokes about periods and childbirth. When Fernandez had made her case that she deserved a raise, the men in the team found out about it and ostracized her, refusing to sit on the same side of table with her in meetings. Men sabotaged these women’s work by refusing to grant them technical permissions, or putting up other roadblocks. They were called names like “little girl” if they were too feminine or criticized for having “too much testosterone” if they tried to be one of the guys …”

Kaskiris took them to Berkeley’s Office for Prevention of Harassment and Discrimination, who agreed that the University IT department had “created a hostile work environment, based on gender” in violation of both Berkeley’s own rules and the discrimination protections of the U.S. Department of Education and the Civil Rights Act.

Five days later Kaskiris was laid off “due to mandatory budget cuts.”  A chilling story of sexism at the “home of free speech,” told in all its nasty bro by bro detail by Sarah Lacy.


 

plus ça change, plus c’est la même chose

ghost-in-the-shell-poster-8

“A French state prosecutor has opened an inquiry into incitement to racial hatred after the selection of a mixed-race teenager to play the folk heroine Joan of Arc in annual festivities in Orléans was met with racist abuse from far-right users of social media,” reports the Guardian.  Seventeen-year-old Mathilde Edey Gamassou’s mother is Polish and her father is from Benin.

“Joan of Arc was white,” read one Twitter post. “We are white and proud of being white, don’t change our history.”

Another comment, on the anti-Muslim site Resistance Republicaine, complained: “Next year, Joan of Arc will be in a burqa.”


 

British values

 

Dazed & Confused reports: “Yarl’s Wood Immigration Removal Centre has long been infamous for its indefinite detention of women seeking asylum in the UK. Since Wednesday, 120 women detained have been on hunger strike to protest the issues they say they are facing – from the “detention of people who came to the UK as children” to “systematic torture”.

A Home Office spokesperson told The Independent: “Detention and removal are essential parts of effective immigration controls, especially in support for the removal of those with no lawful basis to stay in the UK.

“We take the welfare of our detainees very seriously and any detainees who choose to refuse food and fluid are closely monitored by on site healthcare professionals.”

Asked what he thought of western civilization, Mahatma Gandhi is said to have responded “I think it would be a good idea.”

 


 

hard facts

ceilingcabrini.jpg

Cabrini Green housing project, photo from Halley Miglietta, Ceilings of Oppressions series

“Fifty years after the historic Kerner Commission identified ‘white racism’ as the key cause of ‘pervasive discrimination in employment, education and housing,'” writes Tracy Jan in the Washington Post, “there has been no progress in how African Americans fare in comparison to whites when it comes to homeownership, unemployment and incarceration, according to a report released Monday by the Economic Policy Institute.

In some cases, African Americans are worse off today than they were before the civil rights movement culminated in laws barring housing and voter discrimination, as well as racial segregation …

The share of incarcerated African Americans has nearly tripled between 1968 and 2016 — one of the largest and most depressing developments in the past 50 years, especially for black men, researchers said.  African Americans are 6.4 times as likely than whites to be jailed or imprisoned, compared with 5.4 times as likely in 1968.”

As I said, plus ça change, plus c’est la même chose.


 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.

Roads to nowhere

Lower Manhattan Expwy

 

The postwar passion for highway construction saw cities around the world carved up in the name of progress. But as communities fought back many schemes were abandoned – their half-built traces showing what might have been.

Among others: the Lower Manhattan Expressway, New York; Spadina Expressway, Toronto; Marina Freeway, L.A.; Glasgow Inner Ring Road (Charing Cross); Plan Pompidou, Paris; Olympyka highway, Poland; Borovsko Bridge, Czech Republic.


 

Modern cruelty 1 (Making America Great Again)

saalvadorans expelled

 

 

Nearly 200,000 people from El Salvador who have been allowed to live in the United States for more than a decade must leave the country, government officials announced Monday. It is the Trump administration’s latest reversal of years of immigration policies and one of the most consequential to date.

Homeland security officials said that they were ending a humanitarian program, known as Temporary Protected Status, for Salvadorans who have been allowed to live and work legally in the United States since a pair of devastating earthquakes struck their country in 2001.


 

Concerto Al Quds

adonis-450x250

A man who loves his shackles,
a wife fully veiled,
a girl wearing a headscarf,
and halal meat.
A hotel, a restaurant, a coffee shop, a graveyard.

Donald Trump recently and controversially announced that the United States would recognize Jerusalem as the capital of Israel, the seemingly endless debate over the city and the possibility of a two-state solution between Israel and Palestine flared up again in the headlines. Coincidentally, recent weeks have also seen the publication of Concerto al-Quds, a book-length poem meditating on the history and fate of Jerusalem, from the renowned poet Adonis.


 

Modern cruelty 2 (England for the English aka Taking Back Control)

icilda williams

‘I cry most days.’

An 83-year-old widowed nurse who worked for the NHS for 30 years before retiring to Jamaica has had multiple requests to visit her family in the UK refused, despite drawing an NHS pension and a full British state pension.

Icilda Williams moved to the UK from Jamaica with her husband in 1962. Both were Commonwealth citizens and British subjects. The couple bought a house in Bradford, had children there – all of whom are British passport holders – and Williams devoted her life to caring for mentally ill children in two local hospitals.


 

My skin is contraband

Cookie-visits-Lucious-Terrence-Howard-prison

“I pull on a long black-and-white mottled skirt, a black t-shirt, and black flats. Each of these items of clothing is carefully considered. The skirt covers my legs and tattoos. The shirt is loose, but not too loose, and covers other tattoos. The shoes are unlikely to set off the metal detector. It’s 65 degrees out and so I risk a light sweater. Here I might run into problems. It’s voluminous and has a cowl neck, both of which might raise suspicions that I’m smuggling in contraband. It also has a meshed back which, though I’m wearing a shirt under it, may still be too suggestive of the possibility of seeing flesh that it will be nixed …”

A woman dresses for a prison visit.  A remarkable essay by Tiffany D. Vann Sprecher.


 

Modern cruelty 3 (Making America the Greatest Ever, Baby)

visa denial letters

Five-year-old Gamila Almansoob has asked the same question for years: “When are we going to daddy?” Each time, the Yemeni girl’s mother gives the same reply: “When we get the paperwork.”

Gamila’s father, Ramy Almansoob, a US citizen, moved to Virginia in 2015 with the hopes that his wife and three daughters could soon follow and escape their war-torn home country. After a lengthy vetting process, the visas were approved on 4 December 2017. That same day, however, the US supreme court ruled that Donald Trump’s travel ban on six Muslim-majority countries, including Yemen, could go into effect.

 

The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images.  These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality.  I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.  

These “snippets” are intended to function in the same way.  Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.