Ahed Tamimi, a 16-year-old Palestinian girl, was recently arrested in a night-time raid on her home. The Israeli authorities accuse her of “assaulting” an Israeli soldier and an officer. A day earlier she had confronted Israeli soldiers who had entered her family’s backyard. The incident happened shortly after a soldier shot her 14-year-old cousin in the head with a rubber bullet, and fired tear-gas canisters directly at their home, breaking windows.
Her mother and cousin were arrested later as well. All three remain in detention.
There has been a curious lack of support for Ahed from Western feminist groups, human rights advocates and state officials who otherwise present themselves as the purveyors of human rights and champions of girls’ empowerment.
Their campaigns on empowering girls in the global South are innumerable: Girl Up, Girl Rising, G(irls)20 Summit, Because I am a Girl, Let Girls Learn, Girl Declaration …
“Every country must guard its borders,” Prime Minister Benjamin Netanyahu said on Wednesday, announcing the plan. “The infiltrators have a clear choice — cooperate with us and leave voluntarily, respectably, humanely and legally, or we will have to use other tools at our disposal, which are also according to the law.”
Later, on Facebook, Mr. Netanyahu wrote, “The government approved a plan today that will give every infiltrator two options: a flight ticket out or jail.”
It is the latest phase of Israel’s long campaign to expel tens of thousands of African migrants and asylum seekers, mostly Eritrean and Sudanese, who entered the country illegally. At least 20,000 have already left Israel. “The mission now,” Mr. Netanyahu said, “is to deport the rest.”
Absolutely not an apartheid state, and to criticize it as racist is anti-Semitic. After all, isn’t the US doing the same thing?
A bitter row over the difficulties of debating racism in France has erupted after a high-profile feminist and anti-racism campaigner was forced off a government advisory body, prompting the resignation of the director and most of its members.
“When I talked of institutional racism in France, I was hugely reproached for it,” Diallo said. “The fact is that Jean-Michel Blanquer, instead of concerning himself with the racism that is produced by the state, prefers to take legal action against an expression …”
“The foundation stone of the French Republic is that all citizens should be equal and free from distinctions of class, race or religion. It is illegal to classify people by ethnicity or to collect data or ask census questions on race or origins. But campaigners say this masks ongoing problems of racism and discrimination in society.”
A possible plan to move the city’s dogs onto a plant-based diet has the backing of prominent vegans such as Moby, but others warn it could get messy.
Proponents say it will make Los Angeles the world’s progressive capital. Sceptics say it will mean diarrhea, lots of diarrhea.
The proposal, which has divided scientists and animal rights groups and inflamed social media, is to put dogs in the city’s public shelters on a vegan diet.
First world problems, much?
Del Rey’s America was always a kind of dystopia—a bubblegum pastiche, except peopled by lecherous old bikers and drug addictions and bad boyfriends who stalk her through beaches and deserts and stifling small towns. America is as much a character in her work as a setting, shaping and stealing scenes. What’s made her brand of Americana endearing to many is that it manages to be enthusiastic about the idea of America while filtering its reality through enough hazy nostalgia to wipe out any notion that she’s talking about a country that actually exists—or ever did …
With Trump’s election, the bleak, kitschy America Del Rey holds onto has acquired another layer. Trumplandia has made her rethink her patriotism, in other words, but not abandon it. In an interview with Pitchfork, the singer said she would stop flying the stars and stripes behind her when performing “Born to Die,” the title track off her first album.
The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images. These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality. I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.
These “snippets” are intended to function in the same way. Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.