Marine Le Pen insisted that none of the parties were xenophobic. “We like diversity. I like the Dutch to be Dutch, I like the Czech to be Czechs, I like the French to be French, I like the Italians to be Italian.” A priceless photograph.
Field Farm fisheries, near Bicester in Oxfordshire, England, which describes itself as “picturesque, tranquil and an idyllic setting” with an “extensively stocked” lake for leisure anglers, has put up a sign saying “No vehicle access. No Polish or eastern bloc fishermen allowed. No children or dogs.” Nuff said.
“A cantastoria is a vagabond fusion of art and music, so old it turns up all over the world. In each set, a performer displays an illustrated scroll, then, while pointing to each image with a stick, tells a story in song. The cantastoria first developed in India as a way for itinerant performers to bring the legends of gods from door to door. By the time it hit Central Europe in the sixteenth century, it had mutated away from its sacred roots into a wandering carny show of sex, crime, and political sedition.
After the hurricane, the Puerto Rican puppetry collective Papel Machete created a new cantastoria: Solidarity and Survival for our Liberation …”
Excerpts from artist Molly Crabapple’s sketchbook of Puerto Rico after Hurricane Maria
“Tony Robinson, bishop of Wakefield and chairman of Forward in Faith which does not accept women’s ordination, said Mullally’s appointment in a diocese where so many people rejected the ministry of women would result in ‘a deeper impairment of communion.'”
Voodoo Guitar “Marie” made by Don Moser with debris from Hurricane Katrina
“Exhibitions like these invested me in the museum not only because they tell the story of black America but because they insist that the story of black America is indeed the story of America itself.”
PhD candidate Clint Smith on a visit to the Smithsonian National Museum of African American History & Culture.
The English surrealist and documentary filmmaker Humphrey Jennings explained the intellectual project of his book Pandaemonium as to “present, not describe or analyse” the “imaginative history of the Industrial Revolution … by means of what I call Images. These are quotations from writings of the period in question … which either in the writing or in the nature of the matter itself or both have revolutionary and symbolic and illuminatory quality. I mean that they contain in little a whole world—they are the knots in a great net of tangled time and space—the moments at which the situation of humanity is clear—even if only for the flash time of the photographer or the lighting.”
These “snippets” are intended to function in the same way. Click on the headings to go to the original articles, which are mostly from the mainstream aka fake news media.